Maria-Christina Oliveras to Star as Persephone in Extended North American Tour of HADESTOWN alongside Nathan Lee Graham, Matthew Patrick Quinn, Hannah Whitley, and Chibueze Ihuoma This Fall

The North American Tour of Hadestown is extending through the spring of 2024, adding engagements in cities across the United States and Canada. Announced tour engagements are listed at with additional 2023 and 2024 dates, including select repeat engagements, to be announced shortly.

Maria-Christina Oliveras. Photo by Lia Chang

Delayed from 2020 due to the pandemic, Hadestown began its North American tour in the fall of 2021. The tour has played 335 performances in 27 U.S. cities to date and been seen by more than 683,000 audience members across the country.

Starting October 4, 2022, in Houston, Texas, the North American Tour will welcome new principal cast members, including Nathan Lee Graham (Priscilla Queen of the Desert) as Hermes, Maria-Christina Oliveras (AmélieHere Lies LoveKiss My Aztec!Pretty Filthy) as Persephone, Matthew Patrick Quinn as Hades, and Hannah Whitley as Eurydice. Chibueze Ihuoma, who launched the tour as a member of the Workers Chorus and assumed the role of Orpheus in June 2022 will continue as Orpheus.

The Fates will be played by Dominique Kempf, Belén Moyano, Nyla Watson. The Workers Chorus will feature Jordan Bollwerk, Lindsey Hailes, Courtney Lauster, Eddie Noel Rodríguez, and Jamari Johnson Williams. Swings for the tour will include Tyla Collier, Ian Coulter-Buford, Alex Lugo, J. Antonio Rodriguez, and Cecilia Trippiedi.

Morgan Siobhan Green (Eurydice), Kimberly Marable (Persephone), and Kevyn Morrow (Hades), who launched the North American Tour of Hadestown last fall, will play their final performance at the Tulsa PAC in Tulsa, Oklahoma, on Sunday, October 2. Levi Kreis (Hermes) will play his final performance at Bass Hall in Austin, Texas, on Sunday, September 25.

Produced by Mara Isaacs, Dale Franzen, Hunter Arnold, and Tom Kirdahy, Hadestown is the most honored show of the 2018-2019 Broadway season. In addition to the show’s eight Tony Awards including Best New Musical and the 2020 Grammy Award for Best Musical Theater Album, it has been honored with four Drama Desk Awards, six Outer Critics Circle Awards, including Outstanding New Broadway Musical, and the Drama League Award for Outstanding Production of a Musical.

Maria-Christina Oliveras is an award-winning actor, singer, educator and producer. She has performed extensively on and off Broadway, regionally, internationally, and in film and television, and has served as a singer for such esteemed artists as Taylor Mac and Toshi Reagon. Dedicated to new works and underrepresented stories, her career is distinguished by her transformational character work in a number of world premieres, including Kiss My Aztec, a new musical by John Leguizamo and Tony Taccone, music and lyrics by David Kamp and Benjamin Velez, Amelie by Craig Lucas, Nathan Tysen and Daniel Messe, directed by Pam MacKinnon, Soft Power, a play with music by David Henry Hwang and Jeanine Tesori, directed by Leigh Silverman, El Huracan by Charise Castro Smith, directed by Laurie Woolery, Pretty Filthy by Bess Wohl and Michael Friedman, directed by Steve Cosson and Here Lies Love, a musical by David Byrne and Fat Boy Slim, directed by Alex Timbers.

Broadway: Amelie (cast album); Machinal; Bloody Bloody Andrew Jackson. Off-Broadway: Here Lies Love (Public; cast album); Pretty Filthy (Civilians; cast album); Taylor Mac’s 24 Decade…(St. Ann’s Warehouse); And Miles to Go (PCP); Reading Under the Influence (DR2); Bloody Bloody Andrew Jackson (Public); Romeo and Juliet (Public); Zorba! (Encores!); Night Sky (BPAC). Regional: CTG, Yale Rep, Berkeley Rep, Williamstown, Long Wharf, Huntington, Baltimore Centerstage, Sundance, O’Neill, among numerous others. Selected Film/TV: Manhattan Night, St. Vincent, “Nurse Jackie”, “Law & Order: SVU”, The Blacklist”; “Madame Secretary”; NCIS:NOLA. Education: B.A. with honors—Yale University; M.F.A.—National Theatre Conservatory.

An esteemed educator, Maria-Christina has served on faculty at Fordham University Lincoln-Center, Yale University, Primary Stages, Stella Adler Conservatory, among numerous others, and frequently serves as a guest speaker at universities throughout the country. Maria-Christina currently teaches Acting as Assistant Professor of Theater at Wesleyan University.

Maria-Christina is a founding member of Partial Comfort Productions, serves on the Board of The Civilians with whom she is also an Associate Artist, is a member of National Alliance of Acting Teachers and The Actors’ Center Workshop Company, and is an alumna of The Lark Playground and New Dramatists’ Composer-Librettist Studio, both dedicated to new works’ development and collaboration. She has served as a panelist and reader for various fellowships and programs including Sundance Institute, the Lark Play Development Center, New Dramatists, and Back to the Future/History Matters. She is the recipient of New Dramatists’ Charles Bowden Acting Award, the St. Ursula Award for Distinguished Career Achievement, and Wesleyan University’s Embodying Anti-Racism Fellowship.

The acclaimed new musical is by celebrated singer-songwriter and Tony Award winner Anaïs Mitchell and developed with innovative director and Tony Award winner Rachel Chavkin. Hadestown marks the first time in over a decade that a woman has been the solo author of a musical: writing the music, lyrics, and book, and is the fourth time in Broadway history a woman has accomplished this creative feat.

The show opened at the Walter Kerr Theatre on Broadway (219 West 48th Street, New York) on April 17, 2019, where it played sold out houses nightly before performances were suspended due to the COVID-19 pandemic. Hadestown resumed performances September 2, 2021, as one of the first musicals to reopen on Broadway where it continues to play today. The North American Tour opened at The Kennedy Center in Washington, DC, on October 15, 2021.

The show originated as Mitchell’s indie theater project that toured Vermont which she then turned into an acclaimed album. With Chavkin, her artistic collaborator, Hadestown has been transformed into a genre-defying new musical that blends modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale.

Following two intertwining love stories – that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone – Hadestown invites audiences on a hell-raising journey to the underworld and back. Mitchell’s beguiling melodies and Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers, and singers, Hadestown delivers a deeply resonant and defiantly hopeful theatrical experience.

The creative team features Tony Award winner Rachel Hauck (set design); four-time Tony Award nominee Michael Krass (costume design); two-time Tony Award winner Bradley King (lighting design); Tony Award winners Nevin Steinberg and Jessica Paz (sound design); Chita Rivera Award® and Obie Award® winner David Neumann (choreography); Liam Robinson (music supervision and vocal arrangements); Tony Award winners Michael Chorney and Todd Sickafoose (arrangements and orchestrations); Ken Cerniglia (dramaturgy); and Stewart/Whitley (casting).

Hadestown electrified audiences with its 2016 world premiere at New York Theatre Workshop, which is the longest-running show in that celebrated theater’s 40-year history. The production then received its Canadian premiere at Edmonton’s Citadel Theatre in 2017 and then a 2018 sold-out engagement at the London’s National Theatre. Hadestown was developed with funding from the Eli and Edythe Broad Stage at the Santa Monica College Performing Arts Center and was further developed by The Ground Floor at Berkeley Repertory Theatre. Hadestown was co-conceived by Ben t. Matchstick.

The Grammy-winning Hadestown Original Broadway Cast Recording is now available at The album is produced by David Lai, Sickafoose, and Mitchell on Sing It Again Records.

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