Final Chance to See Orlando Pabotoy’s Tour De Force Performance in Self- Penned SESAR

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

Ma-Yi Theater Company’s World Premiere of SESAR, written by and performed by Orlando Pabotoy in his playwrighting debut, ends limited run tonight.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

Helmed by Richard Feldman, SESAR began previews on October 20, opened October 24  and ends limited run tonight on Theatre Row at The Beckett (410 W 42nd St). Tickets to “SESAR,” are available through TODAYTIX. Check every morning at 10am.Or go to Telechargeoffers.com and use CODE TRMOCAPRE for 20% off during previews. Or TRMOCAREG for 20% off during the regular run.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

ABOUT “SESAR”
Born to a Filipino father and American mother, Pabotoy grew up in Bohol, a province that is part of the cluster of islands in the Philippines known as the Visayas Region. When he was 15, while watching television, Orlando caught a show with Christopher Plummer delivering a speech from Shakespeare’s “Julius Caesar.” In SESAR, the teenager locks himself in the only family bathroom to dive head-first into the world of ancient Rome, determined to make sense of Shakespeare’s famous tragedy. The boy’s father, a former town mayor now exiled because of his democratic beliefs, joins his son in the bathroom, and using his own experiences, teaches him real-life lessons about power, love, and loss.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

With Set and Costume Design by Junghyun Georgia Lee, Lighting Design by Oliver Wason, Sound Design by Fabian Obispo, Projection Design by Dan Scully and Rachael Gass as Production Stage Manager.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

Check out what the critics have to say:

“…a moving solo show of personal memoir smartly written and performed with élan by Orlando Pabotoy. As a young Filipino boy seduced by Shakespeare’s “Julius Caesar”, this play is the sweet and profound story of how that text bonded a son and father together during a time of political strife in Asia.” —Stage Left

“Director Richard Feldman and his production team build the atmosphere around him via vivid screen projections on the stark white walls of designer @jhgeorgialee Junghyun Georgia Lee’s set, quick blackouts that speed up time, then an extended blackout where it is easy to believe there are two actors on stage conversing. And yes, having staged a show entirely in a bathroom, Feldman could not resist an homage to the shower scene in Psycho.” –frontrowcenter.com

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

“Portraying both father and son, as well as a variety of other Shakespearean and contemporary characters, Pabotoy displays impressive linguistic and physical skills. He rails in pantomime against the winds of a hurricane, magically shrinks to boy-size then grows to manhood and back again. He speaks, or hypnotically whispers or sings, not only in modern and Shakespearean English, but also in Fijian and Visayan.”_Theatre Guide

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

“Musical interludes, crashing thunder and battle noises are adeptly depicted by sound designer Fabian Obispo. Oliver Wason’s striking lighting design veers from realism to fantasy with its fluctuations. Stylized footage of the Philippines, hurricanes, and news broadcasts are the chief features of Dan Scully’s mesmerizing projection design.

Filled with sentiment, Sesar is an uplifting and engaging experience.” THEATERSCENE

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

Orlando Pabotoy “ is sunshine after the rain. He ignites the stage –you can see this is his home and he radiates the inner glow of an artist born to tell stories that shake worlds and heal wounds and mend hearts. He is completely brilliant.” _Stage Biz

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

ABOUT THE PLAYWRIGHT
Orlando Pabotoy debuts as a Playwright with Ma-Yi Theater Company. His recent work as playwright includes That Beautiful Laugh and an adaptation of Goldoni’s The World In the Moon. His recent work in devising and creation of new works were in collaborations with projects such as The Object Lesson (NYTW, BAM, various International Festivals) Home (BAM, various International Festivals) by Geoff Soebelle and Holoscenes – a site specific art piece that deals with the Trauma of flooding by Lars Jan. Orlando Pabotoy was recently a movement director for NAATCO’s Henry the VI by Shakespeare. His professional works in performance, direction and choreography has been seen in (selected venues): NAATCO, Ma-Yi Theater, The Public, NYTW, Yale Rep, Met Opera, Kirk Douglas, The Guthrie. American Airlines Theater, TFANA, The Lake Lucille Project. Salzburg Festival (Austria). Orlando Pabotoy is a faculty member at NYU Tisch School of The Arts, ITW (Amsterdam) and The Juilliard School. Awards: Obie Award (Magno Rubio with Ma-Yi), TCG Fox Fellowship Foundation.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

ABOUT THE DIRECTOR
Richard Feldman, Director, SESAR – Juilliard School of Drama – Specialty: Scene Study, Associate Director, Project Director
Richard Feldman was born in New York City and has directed productions including Angels in America: Millennium Approaches, Three Sisters, Uncle Vanya, Rosmersholm, Fifth of July, Taming of the Shrew, Antony and Cleopatra, and Infinity’s House. He was formerly a teacher at H.B. Studio, is a founding member of the Vermont Ensemble Theater, and co-founder of the Dinosaur Theater. He attended Horace Mann School, holds a BA from Yale University, and did graduate studies at the American Conservatory Theater. Feldman joined the Drama Division faculty at Juilliard in 1987, became associate director in 2007, and has been acting director since 2016.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

The Drama Desk, Obie Award and Lucille Lortel Award-winning Ma-Yi Theater Company’s 2018 – 2019 Season features all-new American plays by Asian American Playwrights. After a breakout season with the award-winning success of the musical KPOP, and with the closing of Mike Lew’s highly praised Teenage Dick – Ma-Yi is presenting the productions of Sesar & The Chinese Lady in repertory at Theatre Row. Click here for more information.

Ma-Yi Theater Company has the distinction of being a primary incubator of new Asian American theater and the largest collective of Asian-American playwrights in the world.

Broadwayworld.com Photo Flash: Ma-Yi Presents World Premiere Of Orlando Pabotoy’s SESAR

Click here  for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang, Photo by Garth Kravits
Lia Chang, Photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers,  musicians and corporations. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Jade Magazine and Playbill.com.

All text, graphics, articles & photographs: © 2000-2017 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

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Ma-Yi Presents World Premiere of SESAR by Orlando Pabotoy, Opens October 24

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

Ma-Yi Theater Company is presenting the World Premiere of SESAR, written by and performed by Orlando Pabotoy, who previously acted with Ma-Yi, in his playwrighting debut, October 20 – November 1, 2018.  Helmed by Richard Feldman, SESAR is now in previews for a Wednesday, October 24 opening night on Theatre Row at The Beckett (410 W 42nd St). Tickets to “SESAR,” are available through TODAYTIX. Check every morning at 10am.Or go to Telechargeoffers.com and use CODE TRMOCAPRE for 20% off during previews. Or TRMOCAREG for 20% off during the regular run.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

ABOUT “SESAR”
Born to a Filipino father and American mother, Pabotoy grew up in Bohol, a province that is part of the cluster of islands in the Philippines known as the Visayas Region. When he was 15, while watching television, Orlando caught a show with Christopher Plummer delivering a speech from Shakespeare’s “Julius Caesar.” In SESAR, the teenager locks himself in the only family bathroom to dive head-first into the world of ancient Rome, determined to make sense of Shakespeare’s famous tragedy. The boy’s father, a former town mayor now exiled because of his democratic beliefs, joins his son in the bathroom, and using his own experiences, teaches him real-life lessons about power, love, and loss.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

With Set and Costume Design by Junghyun Georgia Lee, Lighting Design by Oliver Wason, Sound Design by Fabian Obispo, Projection Design by Dan Scully and Rachael Gass as Production Stage Manager.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

ABOUT THE PLAYWRIGHT
Orlando Pabotoy debuts as a Playwright with Ma-Yi Theater Company. His recent work as playwright includes That Beautiful Laugh and an adaptation of Goldoni’s The World In the Moon. His recent work in devising and creation of new works were in collaborations with projects such as The Object Lesson (NYTW, BAM, various International Festivals) Home (BAM, various International Festivals) by Geoff Soebelle and Holoscenes – a site specific art piece that deals with the Trauma of flooding by Lars Jan. Orlando Pabotoy was recently a movement director for NAATCO’s Henry the VI by Shakespeare. His professional works in performance, direction and choreography has been seen in (selected venues): NAATCO, Ma-Yi Theater, The Public, NYTW, Yale Rep, Met Opera, Kirk Douglas, The Guthrie. American Airlines Theater, TFANA, The Lake Lucille Project. Salzburg Festival (Austria). Orlando Pabotoy is a faculty member at NYU Tisch School of The Arts, ITW (Amsterdam) and The Juilliard School. Awards: Obie Award (Magno Rubio with Ma-Yi), TCG Fox Fellowship Foundation.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

ABOUT THE DIRECTOR
Richard Feldman, Director, SESAR – Juilliard School of Drama – Specialty: Scene Study, Associate Director, Project Director
Richard Feldman was born in New York City and has directed productions including Angels in America: Millennium Approaches, Three Sisters, Uncle Vanya, Rosmersholm, Fifth of July, Taming of the Shrew, Antony and Cleopatra, and Infinity’s House. He was formerly a teacher at H.B. Studio, is a founding member of the Vermont Ensemble Theater, and co-founder of the Dinosaur Theater. He attended Horace Mann School, holds a BA from Yale University, and did graduate studies at the American Conservatory Theater. Feldman joined the Drama Division faculty at Juilliard in 1987, became associate director in 2007, and has been acting director since 2016.

Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang
Orlando Pabotoy. Photo by Lia Chang

The Drama Desk, Obie Award and Lucille Lortel Award-winning Ma-Yi Theater Company’s 2018 – 2019 Season features all-new American plays by Asian American Playwrights. After a breakout season with the award-winning success of the musical KPOP, and with the closing of Mike Lew’s highly praised Teenage Dick – Ma-Yi is presenting the productions of Sesar & The Chinese Lady in repertory at Theatre Row. Click here for more information.

Ma-Yi Theater Company has the distinction of being a primary incubator of new Asian American theater and the largest collective of Asian-American playwrights in the world.

Broadwayworld.com Photo Flash: Ma-Yi Presents World Premiere Of Orlando Pabotoy’s SESAR

Click here  for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang, Photo by Garth Kravits
Lia Chang, Photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers,  musicians and corporations. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Jade Magazine and Playbill.com.

All text, graphics, articles & photographs: © 2000-2017 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

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Ma-Yi Theater Company’s 2018-19 Season includes Lloyd Suh’s THE CHINESE LADY, Orlando Pabotoy’s SESAR, Kristine Haruna Lee’s SUICIDE FOREST and Sam Chanse’s FRUITING BODIES

Daniel K. Isaac and Shannon Tyo in THE CHINESE LADY. Photo by Eloy Garcia.
Daniel K. Isaac and Shannon Tyo in THE CHINESE LADY. Photo by Eloy Garcia.
Daniel K. Isaac and Shannon Tyo in THE CHINESE LADY. Photo by Eloy Garcia.

Ma-Yi Theater Company – which has had a breakout season with the award-winning success of the musical KPOP, and recently with Mike Lew’s new play TEENAGE DICK (at The Public Theater) – announces its 2018-19 season of new works, according to the company’s Producing Artistic Director, Ralph B. Peña. Among the offerings will be world-premieres of plays that have been created and developed through Ma-Yi’s celebrated Writers Lab, which has the distinction of being a primary incubator of new Asian American theater and the largest collective of Asian-American Playwrights in the world.

Among the season highlights will be Ma-Yi’s first partnership with The Bushwick-Starr in April; and two plays in rep in October. Ma-Yi previously enjoyed considerable success in 2014 with its two-play repertory engagement of Chairs and a Long Table (Han Ong) and Livin La Vida Imelda (Carlos Celdran) at Theatre Row.

The new plays on tap for 2018-19 are: THE CHINESE LADY based on the true story of America’s first female Chinese immigrant, who was made a carnival attraction; SESAR about a teenage Filipino boy obsessed with understanding Shakespeare after having watched an excerpt from “Julius Caesar” on The Cosby Show; SUICIDE FOREST about a dispirited Japanese businessman and the sexually-confused teenage girl he encounters; and FRUITING BODIES about a scientist whose visit to an enchanted forest in the Pacific Northwest brings him face to face with his younger self, his future son, and the scientist’s own homophobia.

In a statement by Ma-Yi’s Producing Artistic Director, Ralph B. Peña, Mr. Peña said: “Our next season features new works by artists exploring the personal and political, who take deep dives into real and imagined histories that ask important questions about who we are today, and how we got here. We’re excited to present the world premiere of Samantha Chanse’s “Fruiting Bodies,” a play developed at the Ma-Yi Writers Lab and directed by Shelley Butler, and to partner with Bushwick Starr in presenting “Suicide Forest” by Kristine Haruna Lee, directed by Aya Ogawa. We’re riding the momentum created by “KPOP,” and “Teenage Dick,” and hope to continue making exciting theater.”

SESAR and THE CHINESE LADY will perform in rep October 20 – November 18 at Theatre Row (410 W. 42nd Street). Click here for tickets.

SESAR, written by and starring Orlando Pabotoy, who previously acted with Ma-Yi, makes his debut as a first time playwright; directed by Richard Feldman (The Juilliard School), Sesar, depicts the story of a 16-year-old Filipino boy, who having just watched an excerpt of “Julius Caesar” on The Cosby Show, locks himself in the only family bathroom to dive head first into the world of ancient Rome, determined to make sense of Shakespeare. Eventually, the boy’s father who happens to be an ex-politician, joins the boy in the bathroom. Using his own political experiences to help explain the life of Caesar, a father lovingly instructs his young son about power, ambition, and well, life.

The Chinese Lady, written by Lloyd Suh (The Wong Kids in the Secret of the Space Chupacabra Go!), directed by Ralph B. Peña (Among The Dead), and starring Shannon Tyo (Bright Half Life), and Daniel K. Isaac (Showtime’s “Billions”), is inspired by the true story of America’s first female Chinese immigrant. It is a tale of dark poetic whimsy, a piercing portrait of America as seen through the eyes of a young Chinese woman; Afong Moy reflects on life in 1834 and beyond, as she is brought to the United States from China and put on display for the American public as “The Chinese Lady.”

Daniel K. Isaac and Shannon Tyo Star in Barrington Stage Company and Ma-Yi Theater Company’s World Premiere of Lloyd Suh’s THE CHINESE LADY through August 11 

Lloyd Suh is a founding member of Ma-Yi’s celebrated Playwrights’ Lab, the author of American Hwangap, The Wong Kids in the Secret of the Space Chupacabra Go!, Jesus in India, The Children of Vonderly, and others which were produced by Ma-Yi, Ensemble Studio Theatre, and La Mama ETC among others. An alum of Youngblood and the Soho Rep Writer Director Lab, and from 2005-2010 served as Artistic Director of Second Generation and Co-Director of the Ma-Yi Writers Lab. He has served since 2011 as Director of Artistic Programs at The Lark.

Ralph B. Peña is the current Producing Artistic Director of Ma-Yi Theater Company. Select directing credits include Among the Dead, House Rules (Ma-Yi) The Orphan of Zhao (Fordham Theatre), Macho Dancer: A Musical (Cultural Center of the Philippines), Livin’ La Vida Imelda (Ma-Yi), Lloyd Suh’s The Wong Kids in the Secret of the Space Chupacabra GO! (Cultural Center of the Philippines, Children’s Theater Co. and Ma-Yi, Off Broadway Alliance Award). His work has been seen at The NYSF/Public Theater, Long Wharf Theater, Laguna Playhouse, NAATCO, Second Generation, Victory Gardens, and La Mama ETC, among others. He received an Obie Award for his work on The Romance of Magno Rubio.

Suicide Forest will perform at The Bushwick Starr (207 Starr Street, #2-2, Brooklyn, NY. 11237), February 27 through March 26, 2019.

In the spring, The Bushwick Starr, in association with Ma-Yi Theater Company, will present Suicide Forest, written by Kristine Haruna Lee (Memory Retrograde) and directed by Aya Ogawa (Failure Sandwich), about a Japanese salaryman in the 1990’s who desperately searches for his self-worth, while a lonely teenage girl grapples with her sexuality in a nightmarish, male-defined society. When the two find an awkward companionship in each other, they expose their darkest desires fueled by masochism and shame, and must now confront life and death as the notorious Suicide Forest looms over their imagination. Performed by a Japanese heritage cast, Suicide Forest is a bilingual play that breaks through the silence and submissiveness often associated with Japanese and Japanese American identity, examining the role of community and the inner struggles of emotional, psychic and social suicide through the playwright’s lived stories and inner landscape.

Fruiting Bodies was developed with Ma-Yi’s Writers Lab, and will perform at Theatre Row, April 5 through May 9, 2019.

Fruiting Bodies, by Sam Chanse (The Other Instinct), and directed by Shelly Butler (The Gun Show), tells the story of a Japanese American mycologist (mushroom scientist) who forages in a Pacific Northwest forest for specimens. As it turns out, the forest is enchanted, and the man meets his younger self and his future son. This is a trenchant play about tradition and how it flies in the face of contemporary American life, where a father must confront his own homophobia.

Sam Chanse is a resident playwright at New Dramatists and a member of the Ma-Yi Writers Lab. Select credits include The Opportunities of Extinction (Cherry Lane Mentor Project), Rita Goldberg Playwrights Workshop at the Lark, Ars Nova Out Loud, gilgamesh & the mosquito (with composer/collaborator Bob Kelly; Yale Institute of Musical Theatre), about that whole dying thing (Ars Nova ANT Fest), and Asian American Jesus (with director/collaborator Yasmine Gomez).

ABOUT Ma-Yi Theater Company:
Ma-Yi Theater Company recently enjoyed great critical and wild success with its double-billed TEENAGE DICK at The Public, and with KPOP last fall by Jason Kim; in addition to Carlos Celdran’s LIVIN’ LA VIDA IMELDA, Hansol Jung’s AMONG THE DEAD, A. Rey Pamatmat’s HOUSE RULES, Nandita Shenoy’s WASHER/DRYER, Michi Barall’s PEER GYNT AND THE NORWEGIAN HAPA BAND, Han Ong’s CHAIRS AND A LONG TABLE, and Rehana Lew Mirza’s SOLDIER X. The company won the Off-Broadway Alliance Award for its critically acclaimed production of Lloyd Suh’s THE WONG KIDS IN THE SECRET OF THE SPACE CHUPACABRA GO!

Founded in 1989 and now celebrating its 27th season, Ma-Yi is a Drama Desk, Obie Award and Lucille Lortel Award-winning, Off-Broadway not-for-profit organization whose primary mission is to develop and produce new and innovative plays by Asian American writers.

Since its founding, Ma-Yi has distinguished itself as one of the country’s leading incubators of new work shaping the national discourse about what it means to be Asian American today. Its numerous acclaimed productions include Mike Lew’s BIKE AMERICA and MICROCRISIS, Qui Nguyen’s THE INEXPLICABLE REDEMPTION OF AGENT G and SOUL SAMURAI (with Vampire Cowboys), Mike Lew’s MICROCRISIS and the revival of Ralph B. Peña’s FLIPZOIDS. Other productions include: RESCUE ME by Michi Barall, Lloyd Suh’s AMERICAN HWANGAP and THE CHILDREN OF VONDERLY and THE ROMANCE OF MAGNO RUBIO by Lonnie Carter. Through successful programs such as the Writers Lab, Ma-Yi emboldens a new generation of Asian American artists to voice their experiences, while developing a steady stream of quality new works by Asian American Playwrights for its own performing repertory. New works developed at the Writers Lab have gone on to successful productions around the country, at such theaters as Victory Gardens, Laguna Playhouse, Long Wharf Theater, Woolly Mammoth, and the Actors Theater of Louisville, to name a few. Ma-Yi Theater Company productions have earned 10 Obie Awards, numerous Henry Hewes Award nominations, a Drama Desk nomination for Best Play and the Special Drama Desk Award for “more than two decades of excellence and for nurturing Asian-American voices in stylistically varied and engaging theater.”

Ma-Yi Theater is under the leadership of Producing Artistic Director Ralph B. Peña.

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