Karen Tsen Lee, Shigeko Sara Suga, Leanne Cabrera, Dinh James Doan, Chris Doi, Eric Elizaga, David Huynh, Scott Kitajima, Claro de los Reyes and Tony Vo in Pan Asian Rep’s NO-NO BOY at The Studio Theatre through February 18

Pan Asian Repertory Theatre (Tisa Chang, Artistic Producing Director), in tandem with “Day of Remembrance”, opens its 41st season on themes of social justice and historic amnesia with the special return engagement of the acclaimed play NO-NO BOY by Ken Narasaki, based on the groundbreaking novel byJohn Okada. Directed by Ron Nakahara, the cast will feature Leanne Cabrera, Dinh James Doan, Chris Doi, Eric Elizaga, David Huynh, Scott Kitajima, Karen Tsen Lee, Claro de los Reyes, Shigeko Sara Suga, and Tony Vo.

NO-NO BOY began previews on February 7, 2018 and will play through  February 18, 2018 at The Studio Theatre at Theatre Row (410 West 42nd Street). Opening Night is Sunday afternoon, February 11, 2018 at 2:30 p.m.

Set after World War II as Japanese Americans return to the West Coast, NO-NO BOY follows Ichiro Yamada, who struggles to reconnect with the Seattle community, after taking a bold stance on questions of allegiance. NO-NO BOY received critical acclaimed when it was presented in 2014 by Pan Asian Rep, and returned to NYC in 2016 prior to embarking on a national tour where the play received rave reviews in Washington, D.C.

The limited run of NO-NO BOY is running in tandem with the Day of Remembrance (DOR), a day commemorating the Japanese American internment during World War II. Events in numerous U.S. States are held on or near February 19, the day in 1942 that Executive Order 9066 was signed, requiring internment of all Americans of Japanese ancestry.

Ken Narasaki stated, “Even today, the term [“No-No Boy”] can spark bitter explosions amongst people who remain angry about the kinds of real life-or-death decisions they and their generation were forced to make.”

John Stoltenberg of DC Metro Theater Arts says: “No-No Boy is an extraordinary and essential play. It’s about what happened to innocent people when this country demonized and incarcerated Japanese Americans during World War II. To witness it now-as anti-Muslim rumblings are being trumped up to a roar…I can only urge everyone who cares about how theater connects to this country’s past and future to catch Pan Asian Rep’s No-No Boy wherever whenever you can.”

The creative team includes sets by Sheryl Liu (Sayonara, Film Chinois), costumes by Hyun Sook Kim (A Dream of Red Pavilions), lights by Leslie Smith (Acquittal), and sound by Ian Wehrle (Fishing For Wives). The Production Stage Manager is Elis C. Arroyo with Sabrina Morabito.

NO-NO BOY will play the following performance schedule: Tuesday through Saturday at 7:30 p.m., and Saturday & Sunday at 2:30 p.m.

Tickets NOW ON SALE are priced at $43.25 for all performances and may be purchased through Telecharge at www.telecharge.com, or by calling 212-239-6200. For information on Group, Senior, or Student Discounts, please email info@panasianrep.org, or call (212) 868-4030.

ABOUT THE ARTISTS
Ken Narasaki (Playwright). His plays include the recent adaptation of NO-NO BOY and the award-winning plays Innocent When You Dream (2006 Kuma Kahua Pacific Rim Award), The Mikado Project (co-written with Doris Baizley – 2008 Kuma Kahua Pacific Rim Award), and Ghosts and Baggage. As an actor, he starred in “Zwei Profis” for German television, and appeared in Lane Nishikawa’s Only The Brave. He has also appeared in nearly 60 plays, including Po Boy Tango, A Winter People, and Theory of Everything, in Chicago, Los Angeles, Singapore, New York, Seattle, San Francisco, Sacramento, and elsewhere.

Ron Nakahara (Director) has been an actor/director in New York City since 1979 and was designated a Senior Artist with Pan Asian Repertory Theatre in 1987 and is an Artistic Associate. Ron has directed one-woman shows at Don’t Tell Mama and The Duplex, and has worked extensively with and directed the Asian-American performance group SLANT at La MaMa ETC, and NYSF Public Theatre. His other directing credits in New York include NAATCO, and Ensemble Studio Theatre. His regional credits include The Studio Theatre (Washington, DC), Hartford Stage Co., Fulton Opera House (Lancaster, PA) where his production of Miss Ever’s Boys won him a best director award, Honolulu Theatre for Youth, New York State Theatre Institute, Hangar Theatre (Ithaca,) Repertory Theatre of St. Louis, Virginia Stage Company (Norfolk,) and Actor’s Theatre of Louisville. In addition, Ron has also directed for New York University and Virginia Commonwealth University. He has served on several NEA panels and was one of the first recipients of an NEA/TCG Directing Fellowship. He is a member of SDC, SAG-AFTRA, and AEA.

Tisa Chang (Pan Asian Rep Founding Artistic Producing Director) has led the company since its inception promoting stories seldom told and voices seldom heard. She has been a theatre professional for 5 decades as actor, dancer director. Highlights include: Sayonara (2015); The Joy Luck Club (2007); intercultural epic Cambodia Agonistes which toured nationally and to Cairo and Johannesburg; Kwatz! The Tibetan Project; and Rashomon (2003) which was invited to Havana Theatre Festival. She innovated premieres in English and Mandarin Chinese of the Peking opera, Return of the Phoenix, and A Midsummer Night’s Dream.

Pan Asian Repertory Theatre, founded 41 years ago, is the East Coast’s most veteran producer of Asian American theatre dedicated to providing a professional forum to Asian American and minority artists. Led by Tisa Chang, Pan Asian Rep has opened doors for many who enjoy careers in film, television and on Broadway. Daniel Dae Kim, Lucy Liu,Tina Chen, David Henry Hwang and Philip Kan Gotanda are some of the alumni artists who have collaborated with Pan Asian Rep over the years. The company has been invited to many international theater festivals including Edinburgh, Singapore, Cairo and Johannesburg. It was the first professional theater from the United States to be invited to the Havana Theatre Festival in 2003. As noted by Variety Magazine, “….the aesthetic mission and professional chops of the Pan Asian Repertory Theatre are admirable.” The 41st Season will begin the company’s multi-year process for growth and transition to embrace expanded leadership towards a visionary new future with national and international collaborations.

Pan Asian Theatre Programs are made possible, in part, by the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council; City Council member Margaret Chin and major support from the Ford, Shubert, Fan Fox & Leslie R. Samuels, and Lucille Lortel Foundations; 21st Century Heritage Fund, and many Individual donors.

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Pan Asian Repertory Theatre Sets 2017 NUWORKS Season, April 26-30

Tisa Chang, Founding Artistic Producing Director of Pan Asian Repertory Theatre, continues the Rep’s 40th Milestone Season in 2017 by lighting a beacon to pave the way for multicultural artists with NUWORKS 2017 in a diverse range of short new works exploring different genres and techniques.

The curators are Ernest Abuba, Damon Chua and Richard Chang. Performances of NUWORKS 2017 take place at The Studio Theatre at Theatre Row (410 W. 42nd St.) in New York City: April 26 – 30, 2017, Weds. through Sat. at 7:30 PM and matinees Sat. and Sun. at 2:30PM. Tickets are $27.25 for all performances and can be purchased by calling 212-239-6200 or online at www.telecharge.com.

PROGRAM A
Weds. & Thurs. April 26th & 27th at 7:30 & Sun. April 30th at 2:30

HIDE YOUR FIRES – Excerpt
Created and performed by Yokko
Writer and Co-Adapter: Sean Michael Welch
Directed by Brian Rhinehart

Using the contemporary Japanese dance form Butoh and various texts, the accursed spirit of Lady Macbeth takes the audience on a harrowing journey through stifled ambition, unfulfilled desire and ultimate loss.

IT AIN’T EASY BEING CHINESEY
Created and performed by Lucy Wang

All her life, Lucy Wang has been told one billion Asians are counting on her to represent, to be a model minority, so they might one day become Asian Americans too. That’s a lot of pressure, and a lot of laughs.
Come laugh for long time.

PROGRAM B
Fri. & Sat. April 28th & 29th at 7:30 & Sat. April 29th at 2:30

BLUE
Written by Penny Pun
Directed by Drayton Hiers
Performed by Angelika Anastasio & Tristan Land

Hannah struggles to put on a tight blue dress for a party, as the expectations of how she should act and look overwhelm her.

UNIFORM CONVERGENCE
Created and performed by Corrine Yap
Through the lives of two women – a 19th century Russian mathematician and a present-day Asian-American math professor – this solo piece uses text, mathematics, movement, and music in an attempt to understand identity and how we communicate who we are. Performed in English and Russian.

ABOUT THE ARTISTS:
Penny Pun is a student at Marymount Manhattan College, pursuing a B.A. in English and World Literatures & Theatre Arts (Writing for the Stage). She is excited for graduation in the coming May. She is the Publications Intern at the Dramatists Guild, having previously interned at TCG and Primary Stages.

Lucy Wang writes, teaches and performs. Her plays have been performed all over, and are available at Original Works Publishing, JAC Publishing, Amazon, One Act Depot, and YouthPLAYS. She currently teaches at E-script.ws and writes for American Journal of Nursing. You can follow her @SensuousGourmet, and learn more about her at www.amazon.com/author/lucywang.

Corrine Yap is a playwright, performer, and mathematician passionate about issues of race and gender in contemporary society. She has studied at the Moscow Art Theatre School and graduated from Sarah Lawrence College where Uniform Convergence was first produced. Corrine is currently a first-year mathematics Ph.D student at Rutgers University.

Yokko is an actor, a movement & Butoh Artist, solo Performer from Japan. She has acted in, devised and choreographed a variety of local and international shows, having won several awards, including “Best One-Woman Show”, “Best Physical Theatre Show” for Butoh Medea (United Solo 2014, 2015 at Theatre Row). Butoh Medea was selected to perform in Warsaw, Poland, and toured Edinburgh Festival Fringe 2015, nominated The Asian Arts Award.