Q & A with Daniel K. Isaac and Shannon Tyo, Stars of Barrington Stage Company and Ma-Yi Theater Company’s World Premiere of Lloyd Suh’s THE CHINESE LADY

Lloyd Suh, Ralph B. Peña, Shannon Tyo and Daniel K. Isaac on the set of THE CHINESE LADY.
Shannon Tyo and Daniel K. Isaac
Shannon Tyo and Daniel K. Isaac

The World Premiere of The Chinese Lady, starring Shannon Tyo (BSC’s Broadway Bounty Hunter) as “Afong Moy” and Daniel K. Isaac (“Billions”) as “Atung,” begins previews on Friday, July 20 on the St. Germain Stage, Sydelle and Lee Blatt Performing Arts Center, 30 Union Street, Pittsfield, MA 01201.

Daniel K. Isaac and Shannon Tyo. Photo by Ralph B. Peña
Daniel K. Isaac and Shannon Tyo. Photo by Ralph B. Peña

Written by Lloyd Suh (Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery), directed by Ralph Peña (Microcrisis, Ma-Yi Theater Company), and presented in a co-production between Barrington Stage Company (BSC)  and Ma-Yi Theater Company, performances will run through Saturday, August 11. Opening night is Wednesday, July 25.

Director Ralph B. Peña, Shannon Tyo and Daniel K. Isaac. Photo courtesy of Facebook/Barrington Stage Company
Director Ralph B. Peña, Shannon Tyo and Daniel K. Isaac. Photo courtesy of Facebook/Barrington Stage Company

In 1834, Afong Moy is brought to the United States from Beijing and put on display for the American public as the “Chinese Lady.” Over the next 45 years, she performs in a side show that both defines and challenges her own view of herself. Inspired by the true story of America’s first female Chinese immigrant, playwright Lloyd Suh spins a tale of dark poetic whimsy in this piercing portrait of America as seen through the eyes of a young Chinese woman.

From the source: "Afong Moy in her 'room'. She is surrounded with 'exotic' Chinese items. The Carne Brothers had similar reproduction items for sale at the exhibition for viewers to remember their visit to the Chinese Lady." Wikimedia Commons
From the source: “Afong Moy in her ‘room’. She is surrounded with ‘exotic’ Chinese items. The Carne Brothers had similar reproduction items for sale at the exhibition for viewers to remember their visit to the Chinese Lady.” Wikimedia Commons

Director Ralph B. Peña shared a few sneak peek snaps from tech and Daniel K. Isaac and Shannon Tyo answered a few questions via email. 

Lloyd Suh, Ralph B. Peña, Shannon Tyo and Daniel K. Isaac on the set of THE CHINESE LADY.
Playwright Lloyd Suh, Director Ralph B. Peña, Shannon Tyo and Daniel K. Isaac on the set of THE CHINESE LADY.

Lia: Where are you staying?
Daniel: We are staying in a beautiful newly renovated home right off the main strip of Pittsfield, MA.

Daniel K. Isaac. Photo by Lia Chang
Daniel K. Isaac. Photo by Lia Chang

Lia: Please describe your characters.
Daniel: I like to joke that I play the title character but really that’s all Shannon.

Shannon: Afong Moy is “The Chinese Lady”, as she was billed, and so far as history can tell, the first woman of Chinese descent to arrive in America. Afong Moy wasn’t her real name, but rather a name given to her that was easier for western people to pronounce. She came to America as a sort of sideshow attraction, used as a prop in order to sell “exotic” goods from the Carne Brother’s Far East Oriental Import Company.

Shannon Tyo. Photo by Ralph B. Peña
Shannon Tyo as Afong Moy. Photo by Ralph B. Peña

Daniel: Atung is Afong Moy’s translator. There are accounts of a translator being a part of her act but Atung is from Lloyd’s imagination. In this play, he was first assigned to the Carne Brothers as a manservant and became Afong’s translator and perhaps sole companion. It’s a disturbing and little known piece of American history that Lloyd has expanded upon with beautiful poetry and dark imagination.

Daniel K. Isaac. Photo by Ralph B. Peña
Daniel K. Isaac as Atung. Photo by Ralph B. Peña

Lia: Please describe your relationship to each other.
Daniel: If we describe it too much it’ll give away spoilers. For now, we’ll say that Atung is Afong Moy’s translator and go from there. Also, our director, Ralph B. Peña, would want us to say that our relationship is constantly with the audience. After our first run-thru, Shannon said, “it feels like us against the world.” It really feels like that sometimes.

Shannon: But on a real-life level, Daniel and I are very lucky that we get along well, professionally and personally.

Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang
Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang

Lia: What kind of research did you do for your roles?
Shannon: For the last few years, I’ve been very invested in learning as much as possible about Asian American history. Specifically for this show, I took a deep dive into the effects of the Opium Wars on migration, along with footbinding, and also what little there is recorded about Afong Moy. Luckily, I love history, so it was more recreation than compulsory.
Daniel: Shannon wins.

Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang
Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang

Lia: What are the challenges of performing in a two-hander?
Shannon: It’s exhausting! Once the last scene plays, I have a brief moment of adrenaline high, then I crash and want to lay flat on my back and drop french fries into my mouth.

Daniel: Lia, you know this is my second two-hander this year, so I will agree with the crash and french fries (extra crispy for me) sentiment. Also, bourbon. Lots of bourbon.

Shannon Tyo. Photo by Ralph B. Peña
Shannon Tyo as Afong Moy. Photo by Ralph B. Peña

Lia: What is the allure of performing at Barrington Stage?
Shannon: I always think it’s nice to be out of town in order to focus solely on work. It’s also nice to be close to nature when you’re cooped up inside a theatre all day, and the Berkshires are beautiful.

Daniel: I think it’s a privilege every time I get to work on a new play. And especially a world premiere!

Ralph B. Peña, Geoff Boronda, Shannon Tyo and Daniel K. Isaac before ziplining.
Ralph B. Peña, Geoff Boronda, Shannon Tyo and Daniel K. Isaac before ziplining.

Lia: Have you had the opportunity to do much exploring?
Daniel: We went zip-lining earlier this week and we have some hikes and whitewater rafting adventures planned!

Shannon: Besides our aforementioned zip-lining excursion, we have a lot of adventures in the works. Daniel is an Eagle Scout so I plan to put myself in as much danger as possible and I expect him to be ready to help me whenever possible. I’ll be like Inspector Gadget and Daniel will be Penny.

Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang
Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang
Daniel K. Isaac. Photo by Lia Chang
Daniel K. Isaac. Photo by Lia Chang

Daniel K. Isaac (Atung) is an actor and writer born and raised in Southern California, currently based in New York City. You can currently see him on the small screen as ‘Ben Kim’ in Showtime’s “Billions.”

Isaac co-wrote and stars in the short film/pilot presentation, “According To My Mother.” The project was selected for IFP Film Week and the inaugural Sundance New Voices Lab and was an Official Selection at ITVFest, Newfest, Outfest Fusion, Outfest, CAAMfest, SeriesFest (where it was awarded Best Actress), and New York Television Festival (Best Drama and Best Actor). “According To My Mother” is currently in development to become a digital series on First Look Media’s new platform, TOPIC. Isaac is a member of Page 73’s 2018 Interstate 73 Writers Group, Ensemble Studio Theatre’s Youngblood, and a Lambda Literary Playwriting Fellow. Training: UCSD, BADA. www.AccordingToMyMother.com

He recently appeared as William Inge in the Off-Broadway production of Philip Dawkin’s The Gentleman Caller, produced by Abingdon Theatre at The Cherry Lane.  Select NYC: Sagittarius Ponderosa (NAATCO), Underland (59E59), La Divina Caricatura (La MaMa, Under the Radar & St. Ann’s Warehouse), Anna Nicole the Opera (BAM). Select Regional: The Ballad of Little Jo (Two River Theater), Miss Electricity (La Jolla Playhouse). Film/TV: MONEY MONSTER (dir. Jodie Foster), “The Jim Gaffigan Show” (TV LAND), “Search Party” (TBS), “Crashing” (HBO), “The Following” (FOX), “Person of Interest” (CBS), “Believe” (NBC, pilot), TOO BIG TO FAIL (HBO).  www.DanielKIsaac.com

Shannon Tyo. Photo by Lia Chang
Shannon Tyo. Photo by Lia Chang

Shannon Tyo (Afong Moy) Off-Broadway credits include Kentucky, Bikeman: A 9/11 Play, Dear Edwina. Favorite regional credits include The White Snake at the Old Globe, San Diego; Miss Saigon at the Pioneer Theatre Co, Music Theatre of Wichita and Cape Fear Regional; The 25th Annual Putnam County Spelling Bee at Northern Stage, Tuacahn PAC and Pioneer Theatre Co.; and Broadway Bounty Hunter at Barrington Stage. BFA Syracuse University.

Set and Costumes designed by Junghyun Georgia Lee. Lighting design by Oliver Wason. Sound design by Fabian Obispo. Production Stage Manager is Geoff Boronda.

Playwright Lloyd Suh is the author of Charles Francis Chan Jr’s Exotic Oriental Murder Mystery, American Hwangap, The Wong Kids in the Secret of the Space Chupacabra Go!, Jesus in India, Great Wall Story, and others, produced with Ma-Yi, Magic Theatre, Ensemble Studio Theatre, The Play Company, La Mama, Denver Center Theatre Company, ArtsEmerson, The Guthrie Theatre with Mu Performing Arts, East West Players, and internationally at the Cultural Center of the Philippines in Manila, and with PCPA in Seoul, Korea. He has received support from the NEA Arena Stage New Play Development program, the Andrew W. Mellon Launching New Plays Into the Repertoire initiative via the Lark, NYFA, NYSCA, Jerome Foundation, TCG, and Dramatists Guild, and has been a recipient of the Roe Green Award from Cleveland Playhouse, the Lilah Kan Red Socks Award, and the Helen Merrill Award. His plays have been published by Samuel French, Playscripts, Smith & Kraus, Duke University Press and American Theater magazine. He is an alum of Youngblood and the Soho Rep Writer/Director Lab, and from 2005-2010 served as Artistic Director of Second Generation and Co-Director of the Ma-Yi Writers Lab. He currently serves on the Dramatists Guild Council and has since 2011 served as Director of Artistic Programs at The Lark.

Director Ralph B. Peña is the current Artistic Director of Ma-Yi Theater Company. Recent directing credits include Among the DeadHouse Rules (Ma-Yi) The Orphan of Zhao (Fordham Theatre), Macho Dancer: A Musical (Cultural Center of the Philippines), Livin’ La Vida Imelda (Ma-Yi), Lloyd Suh’s The Wong Kids in the Secret of the Space Chupacabra GO! (Cultural Center of the Philippines, Children’s Theater Co. and Ma-Yi, Off Broadway Alliance Award), Julia Specht’s Down Cleghorn, Joshua Conkel’s Curmudgeons in Love (EST Marathon), Mike Lew’s microcrisis(Youngblood, Ma-Yi), and House/Boy (Dublin and Singapore Theater Festivals). His theater work has been seen at The NYSF/Public Theater, Long Wharf Theater, Laguna Playhouse, NAATCO, Second Generation, Victory Gardens, and LaMama ETC, among others. He received an Obie Award for his work on The Romance of Magno Rubio. Ralph is a member of the Ensemble Studio Theater. This is for Damien, always and forever.

THE CHINESE LADY starts off as a shipping container. Designed by Junghyun Georgia Lee. Lighting by Oliver Wason. Sound by Yngo Terra. Photo by Ralph B. Peña
THE CHINESE LADY starts off as a shipping container. Designed by Junghyun Georgia Lee. Lighting by Oliver Wason. Sound by Yngo Terra. Photo by Ralph B. Peña

Both single tickets and 2018 season passes are now on sale and available at www.barringtonstageco.org or by calling 413-236-8888 or visiting the Mainstage box office (30 Union Street, Pittsfield, MA 01201). Tickets range from $25 to $69.

In Rehearsal: Barrington Stage Company and Ma-Yi Theater Company’s World Premiere of Lloyd Suh’s THE CHINESE LADY with Daniel K. Isaac and Shannon Tyo 

Barrington Stage and Ma-Yi Present Daniel K. Isaac and Shannon Tyo in World Premiere of Lloyd Suh’s THE CHINESE LADY at Barrington Stage, July 20 – August 11

Inside THE GENTLEMAN CALLER’S Opening Night Party with Daniel K. Isaac and Juan Francisco Villa 

Up Close and Personal with Daniel K. Isaac – William Inge in Abingdon Theatre’s Production of THE GENTLEMAN CALLER by Philip Dawkins, May 5 – 26 

Jon Norman Schneider, Jiehae Park, Keelay Gipson, Julian Leong, Diana Oh, David Shih and Teal Wicks in Daniel K. Isaac’s OR OR OR &&& at The Actors Fund Arts Center 

Click here  for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang, Photo by Garth Kravits
Lia Chang, Photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers,  musicians and corporations. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Jade Magazine and Playbill.com.

All text, graphics, articles & photographs: © 2000-2018 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

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In Rehearsal: Barrington Stage Company and Ma-Yi Theater Company’s World Premiere of Lloyd Suh’s THE CHINESE LADY with Daniel K. Isaac and Shannon Tyo

Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang
Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang
Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang

Barrington Stage Company (BSC), the award-winning theatre in the Berkshires (Pittsfield, MA) under the leadership of Artistic Director Julianne Boyd, is presenting the World Premiere of The Chinese Lady starring Shannon Tyo (BSC’s Broadway Bounty Hunter) as “Afong Moy” and Daniel K. Isaac (“Billions”) as “Atung.”

Daniel K. Isaac, Ralph Peña and Shannon Tyo. Photo by Lia Chang
Daniel K. Isaac, Ralph Peña and Shannon Tyo. Photo by Lia Chang

Written by Lloyd Suh (Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery), directed by Ralph Peña (Microcrisis, Ma-Yi Theater Company), and presented in a co-production with the Ma-Yi Theater Company, The Chinese Lady begins previews Friday, July 20 on the St. Germain Stage, Sydelle and Lee Blatt Performing Arts Center, 30 Union Street, Pittsfield, MA 01201. Opening night is Wednesday, July 25, and performances will run through Saturday, August 11.

Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang
Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang

In 1834, Afong Moy is brought to the United States from Beijing and put on display for the American public as the “Chinese Lady.” Over the next 45 years, she performs in a side show that both defines and challenges her own view of herself. Inspired by the true story of America’s first female Chinese immigrant, playwright Lloyd Suh spins a tale of dark poetic whimsy in this piercing  portrait of America as seen through the eyes of a young Chinese woman.

Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang
Daniel K. Isaac and Shannon Tyo. Photo by Lia Chang
Daniel K. Isaac. Photo by Lia Chang
Daniel K. Isaac. Photo by Lia Chang

Daniel K. Isaac (Atung) is an actor and writer born and raised in Southern California, currently based in New York City. You can currently see him on the small screen as ‘Ben Kim’ in Showtime’s “Billions.”

Isaac co-wrote and stars in the short film/pilot presentation, “According To My Mother.” The project was selected for IFP Film Week and the inaugural Sundance New Voices Lab and was an Official Selection at ITVFest, Newfest, Outfest Fusion, Outfest, CAAMfest, SeriesFest (where it was awarded Best Actress), and New York Television Festival (Best Drama and Best Actor). “According To My Mother” is currently in development to become a digital series on First Look Media’s new platform, TOPIC. Isaac is a member of Page 73’s 2018 Interstate 73 Writers Group, Ensemble Studio Theatre’s Youngblood, and a Lambda Literary Playwriting Fellow. Training: UCSD, BADA. www.AccordingToMyMother.com

He recently appeared as William Inge in the Off-Broadway production of Philip Dawkin’s The Gentleman Caller, produced by Abingdon Theatre at The Cherry Lane.  Select NYC: Sagittarius Ponderosa (NAATCO), Underland (59E59), La Divina Caricatura (La MaMa, Under the Radar & St. Ann’s Warehouse), Anna Nicole the Opera (BAM). Select Regional: The Ballad of Little Jo (Two River Theater), Miss Electricity (La Jolla Playhouse). Film/TV: MONEY MONSTER (dir. Jodie Foster), “The Jim Gaffigan Show” (TV LAND), “Search Party” (TBS), “Crashing” (HBO), “The Following” (FOX), “Person of Interest” (CBS), “Believe” (NBC, pilot), TOO BIG TO FAIL (HBO).  www.DanielKIsaac.com

Shannon Tyo. Photo by Lia Chang
Shannon Tyo. Photo by Lia Chang

Shannon Tyo (Afong Moy) Off-Broadway credits include Kentucky, Bikeman: A 9/11 Play, Dear Edwina. Favorite regional credits include The White Snake at the Old Globe, San Diego; Miss Saigon at the Pioneer Theatre Co, Music Theatre of Wichita and Cape Fear Regional; The 25th Annual Putnam County Spelling Bee at Northern Stage, Tuacahn PAC and Pioneer Theatre Co.; and Broadway Bounty Hunter at Barrington Stage. BFA Syracuse University.

Set and Costumes designed by Junghyun Georgia Lee. Lighting design by Oliver Wason. Sound design by Fabian Obispo. Production Stage Manager is Geoff Boronda.

Playwright Lloyd Suh is the author of Charles Francis Chan Jr’s Exotic Oriental Murder Mystery, American Hwangap, The Wong Kids in the Secret of the Space Chupacabra Go!, Jesus in India, Great Wall Story, and others, produced with Ma-Yi, Magic Theatre, Ensemble Studio Theatre, The Play Company, La Mama, Denver Center Theatre Company, ArtsEmerson, The Guthrie Theatre with Mu Performing Arts, East West Players, and internationally at the Cultural Center of the Philippines in Manila, and with PCPA in Seoul, Korea. He has received support from the NEA Arena Stage New Play Development program, the Andrew W. Mellon Launching New Plays Into the Repertoire initiative via the Lark, NYFA, NYSCA, Jerome Foundation, TCG, and Dramatists Guild, and has been a recipient of the Roe Green Award from Cleveland Playhouse, the Lilah Kan Red Socks Award, and the Helen Merrill Award. His plays have been published by Samuel French, Playscripts, Smith & Kraus, Duke University Press and American Theater magazine. He is an alum of Youngblood and the Soho Rep Writer/Director Lab, and from 2005-2010 served as Artistic Director of Second Generation and Co-Director of the Ma-Yi Writers Lab. He currently serves on the Dramatists Guild Council and has since 2011 served as Director of Artistic Programs at The Lark.

Playwright Lloyd Suh and Director Ralph Pena
Playwright Lloyd Suh and Director Ralph Peña

Director Ralph B. Peña is the current Artistic Director of Ma-Yi Theater Company. Recent directing credits include Among the DeadHouse Rules (Ma-Yi) The Orphan of Zhao (Fordham Theatre), Macho Dancer: A Musical (Cultural Center of the Philippines), Livin’ La Vida Imelda (Ma-Yi), Lloyd Suh’s The Wong Kids in the Secret of the Space Chupacabra GO! (Cultural Center of the Philippines, Children’s Theater Co. and Ma-Yi, Off Broadway Alliance Award), Julia Specht’s Down Cleghorn, Joshua Conkel’s Curmudgeons in Love (EST Marathon), Mike Lew’s microcrisis(Youngblood, Ma-Yi), and House/Boy (Dublin and Singapore Theater Festivals). His theater work has been seen at The NYSF/Public Theater, Long Wharf Theater, Laguna Playhouse, NAATCO, Second Generation, Victory Gardens, and LaMama ETC, among others. He received an Obie Award for his work on The Romance of Magno Rubio. Ralph is a member of the Ensemble Studio Theater. This is for Damien, always and forever.

Performance schedules for all productions are available by visiting www.barringtonstageco.org.

Both single tickets and 2018 season passes are now on sale and available at www.barringtonstageco.org or by calling 413-236-8888 or visiting the Mainstage box office (30 Union Street, Pittsfield, MA 01201). Tickets range from $25 to $69.

THE CHINESE LADY set. Photo by Lia Chang
THE CHINESE LADY set. Photo by Lia Chang

Barrington Stage and Ma-Yi Present Daniel K. Isaac and Shannon Tyo in World Premiere of Lloyd Suh’s THE CHINESE LADY at Barrington Stage, July 20 – August 11

Inside THE GENTLEMAN CALLER’S Opening Night Party with Daniel K. Isaac and Juan Francisco Villa 

Up Close and Personal with Daniel K. Isaac – William Inge in Abingdon Theatre’s Production of THE GENTLEMAN CALLER by Philip Dawkins, May 5 – 26 

Jon Norman Schneider, Jiehae Park, Keelay Gipson, Julian Leong, Diana Oh, David Shih and Teal Wicks in Daniel K. Isaac’s OR OR OR &&& at The Actors Fund Arts Center 

Click here  for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang, Photo by Garth Kravits
Lia Chang, Photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers,  musicians and corporations. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Jade Magazine and Playbill.com.

All text, graphics, articles & photographs: © 2000-2018 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

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Barrington Stage and Ma-Yi Present Daniel K. Isaac and Shannon Tyo in World Premiere of Lloyd Suh’s THE CHINESE LADY at Barrington Stage, July 20 – August 11

Daniel K. Isaac. Photo by Lia Chang
Daniel K. Isaac. Photo by Lia Chang
Daniel K. Isaac. Photo by Lia Chang
Shannon Tyo
Shannon Tyo

Barrington Stage Company (BSC), the award-winning theatre in the Berkshires (Pittsfield, MA) under the leadership of Artistic Director Julianne Boyd, is presenting the World Premiere of The Chinese Lady starring Shannon Tyo (BSC’s Broadway Bounty Hunter) as “Afong Moy” and Daniel K. Isaac (“Billions”) as “Atung.” Written by Lloyd Suh (Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery), directed by Ralph Peña (Microcrisis, Ma-Yi Theater Company), and presented in a co-production with the Ma-Yi Theater Company. The Chinese Lady begins previews July 20, with an opening set forJuly 25, and will run through August 11.

Performance schedules for all productions are available by visiting www.barringtonstageco.org.

Both single tickets and 2018 season passes are now on sale and available at www.barringtonstageco.org or by calling 413-236-8888 or visiting the Mainstage box office (30 Union Street, Pittsfield, MA 01201). Tickets range from $25 to $69.

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Drama Desk and Obie Award-winning Ma-Yi Theater Company in association with The Public Theater Announce Two-Week Extension and Talkback Series for World Premiere Play TEENAGE DICK

Ma-Yi Theater Company, in association with The Public Theater, is pleased to announce a two-week extension of TEENAGE DICK. The world premiere play by Mike Lew will now play through Sunday, July 29, 2018. (It was previously announced to close on Sunday, July 15).

Additionally, talkback dates with the cast and creative team of TEENAGE DICK are scheduled for Saturday, June 23 matinee; Tuesday, June 26 evening; and Sunday, July 1 matinee. Matinee performances begin at 1:30 p.m., while evenings are scheduled for a 7:30 p.m. curtain.

TEENAGE DICK, which follows Ma-Yi’s phenomenal success with the critically acclaimed KPOP, winner of three 2018 Lucille Lortel Awards, is choreographed by Jennifer Weber (KPOP), directed by Tony Award nominee Moritz von Stuelpnagel (Hand to God, Present Laughter), and stars Tiffany Villarin (House Rules) and Gregg Mozgala (Light Shining). It runs Off-Broadway at The Public Theater (425 Lafayette St).

TEENAGE DICK is presented as a new fully realized production, having been developed by The Public Theater as part of its 2016 Public Studio Series.

TEENAGE DICK is a brilliantly hilarious take on Richard III, Shakespeare’s classic tale of power and lust. TEENAGE DICK reimagines the most famous disabled character of all time as a 16-year-old outsider in the deepest winter of his discontent: his junior year at Roseland High. Picked on because of his cerebral palsy (as well as his sometimes creepy Shakespearean way of speaking), Richard is determined to have his revenge and make his name by becoming president of the senior class. But as he manipulates and crushes the obstacles to his electoral success, Richard finds himself faced with a decision he never expected would be his to make: is it better to be loved or feared?

Rounding out the cast are Shannon DeVido (The Healing, Difficult People); Alex Breaux (Red Speedo); Sasha Diamond (Significant Other); and Marinda Anderson (Bella: An American Tall Tale).

TEENAGE DICK was commissioned and developed by The Apothetae (Gregg Mozgala, Artistic Director), a company dedicated to plays that explore and illuminate the “Disabled Experience.” It was further developed during a residency at the Eugene O’Neill Theater Center’s National Playwrights Conference in 2016 (Executive Director, Preston Whiteway and Wendy C. Goldberg, Artistic Director). This current production by Ma-Yi Theater Company is part of The Lark’s Venturous Playwright Fellowship Program, funded by Venturous Theater Fund of the Tides Foundation.

TEENAGE DICK features set design by Wilson Chin, costume design by Junghyun Georgia Lee, lighting design by Miriam Crowe, sound design by Fabian Obispo, and movement coordination by Robert Westley. Alyssa K. Howard is Production Stage Manager.

TICKETS and PERFORMANCE SCHEDULE:
TEENAGE DICK began performances June 12 and performs Tuesdays through Sundays at 7:30 p.m., including Saturday and Sunday matinees at 1:30 p.m., with performances scheduled through July 29, 2018. Please note there is no performance on Thursday, June 21 or Wednesday, July 4 at 7:30 p.m.; additionally, performances have been added on Monday, June 18 and July 2 at 7:30 p.m. For tickets and information: visit publictheater.org, or call 212.967.7555

Mobility limited seating and reduced ticket prices for the disabled community and designated companions are available.

Additional information is also available at: www.ma-yitheatre.com.

ABOUT MA-YI THEATER COMPANY:
Ma-Yi Theater Company recently enjoyed great critical and wild success with its double-billed KPOP last fall by Jason Kim, in addition to Carlos Celdran’s LIVIN’ LA VIDA IMELDA, Hansol Jung’s AMONG THE DEAD, A. Rey Pamatmat’s HOUSE RULES, Nandita Shenoy’s WASHER/DRYER, Michi Barall’s PEER GYNT AND THE NORWEGIAN HAPA BAND, Han Ong’s CHAIRS AND A LONG TABLE, and Rehana Lew Mirza’s SOLDIER X. The company won the Off-Broadway Alliance Award for its critically acclaimed production of Lloyd Suh’s THE WONG KIDS IN THE SECRET OF THE SPACE CHUPACABRA GO!

Founded in 1989 and now celebrating its 27th season, Ma-Yi is a Drama Desk and Obie Award-winning, Off-Broadway not-for-profit organization whose primary mission is to develop and produce new and innovative plays by Asian American writers.

Since its founding, Ma-Yi has distinguished itself as one of the country’s leading incubators of new work shaping the national discourse about what it means to be Asian American today. Its numerous acclaimed productions include Mike Lew’s BIKE AMERICA and MICROCRISIS, Qui Nguyen’s THE INEXPLICABLE REDEMPTION OF AGENT G and SOUL SAMURAI (with Vampire Cowboys), Mike Lew’s MICROCRISIS and the revival of Ralph B. Peña’s FLIPZOIDS. Other productions include: RESCUE ME by Michi Barall, Lloyd Suh’s AMERICAN HWANGAP and THE CHILDREN OF VONDERLY and THE ROMANCE OF MAGNO RUBIO by Lonnie Carter. Through successful programs such as the Writers Lab, Ma-Yi emboldens a new generation of Asian American artists to voice their experiences, while developing a steady stream of quality new works by Asian American playwrights for its own performing repertory. New works developed at the Writers Lab have gone on to successful productions around the country, at such theaters as Victory Gardens, Laguna Playhouse, Long Wharf Theater, Woolly Mammoth, and the Actors Theater of Louisville, to name a few. Ma-Yi Theater Company productions have earned 10 Obie Awards, numerous Henry Hewes Award nominations, a Drama Desk nomination for Best Play and the Special Drama Desk Award for “more than two decades of excellence and for nurturing Asian-American voices in stylistically varied and engaging theater.”

Ma-Yi Theater is under the leadership of Producing Artistic Director Ralph B. Peña.

ABOUT THE PUBLIC THEATER:
THE PUBLIC THEATER, under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation’s first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. The Public’s wide breadth of programming includes an annual season of new work at its landmark home at Astor Place, Free Shakespeare in the Park at the Delacorte Theater in Central Park, The Mobile Unit touring throughout New York City’s five boroughs, Public Forum, Under the Radar, Public Studio, Public Works, Public Shakespeare Initiative, and Joe’s Pub. Since premiering HAIR in 1967, The Public continues to create the canon of American Theater and is currently represented on Broadway by the Tony Award-winning musical Hamilton by Lin-Manuel Miranda.Their programs and productions can also be seen regionally across the country and around the world. The Public has received 59 Tony Awards, 170 Obie Awards, 53 Drama Desk Awards, 54 Lortel Awards, 32 Outer Critic Circle Awards, 13 New York Drama Desk Awards, and 6 Pulitzer Prizes. http://www.publictheater.org

Ma-Yi Theater Company in association with The Public Theater is presenting Gregg Mozgala, Tiffany Villarin, Shannon DeVido, Alex Breaux, Sasha Diamond and Marinda Anderson in World Premiere of TEENAGE DICK by Mike Lew, June 12 – July 15

Ma-Yi Theater Company in association with The Public Theater is presenting the Off-Broadway world premiere of TEENAGE DICK, a new play by Mike Lew (Tiger Style!), led by Tiffany Villarin (HOUSE RULES – Ma-Yi Theater, PEERLESS – Cherry Lane Mentor Project) who returns to Ma-Yi Theater Company alongside the previously announced Gregg Mozgala (Cost of Living, 2018 Lucille Lortel Award for Outstanding Featured Actor in a Play), June 12 – July 15. The Public Theater is located at 425 Lafayette St in New York. Click here for tickets.

Rounding out the cast are Shannon DeVido (The Healing, Difficult People), Alex Breaux (Red Speedo), Sasha Diamond (Significant Other), and Marinda Anderson (Bella: An American Tall Tale).

Directed by Tony Award-nominee Moritz von Stuelpnagel (Hand to God and Present Laughter), and choreographed by Jennifer Weber (KPOP), TEENAGE DICK is presented as a new fully realized production, having been developed by The Public Theater as part of its 2016 Public Studio Series.

TEENAGE DICK is a brilliantly hilarious take on Richard III, Shakespeare’s classic tale of power and lust. TEENAGE DICK reimagines the most famous disabled character of all time as a 16-year-old outsider in the deepest winter of his discontent: his junior year at Roseland High. Picked on because of his cerebral palsy (as well as his sometimes creepy Shakespearean way of speaking), Richard is determined to have his revenge and make his name by becoming president of the senior class. But as he manipulates and crushes the obstacles to his electoral success, Richard finds himself faced with a decision he never expected would be his to make: is it better to be loved or feared?

TEENAGE DICK was commissioned and developed by The Apothetae (Gregg Mozgala, Artistic Director), a company dedicated to plays that explore and illuminate the “Disabled Experience.” It was further developed during a residency at the Eugene O’Neill Theater Center’s National Playwrights Conference in 2016 (Executive Director, Preston Whiteway and Wendy C. Goldberg, Artistic Director). This current production by Ma-Yi Theater Company is part of The Lark’s Venturous Playwright Fellowship Program, funded by Venturous Theater Fund of the Tides Foundation.

Design and creative credits for TEENAGE DICK are: Set Design – Wilson Chin, Costume Design – Junghyun Georgia Lee, Lighting Design – Miriam Crowe, Sound Design – Fabian Obispo, and Movement Coordination – Robert Westley. Alyssa K. Howard is Production Stage Manager.

TICKETS:
Scheduled through July 15, 2018, TEENAGE DICK will begin performances June 12 and perform Tuesdays through Sundays at 7:30PM, with Saturday and Sunday matinees at 1:30PM. Please note there is no performance on Saturday, June 16 at 1:30 or Thursday, June 21 or Wednesday, July 4 at 7:30PM; additionally, performances have been added on Monday, June 18 and July 2 at 7:30PM. Public Theater Partners and Members can access tickets on Thursday, March 22. Single tickets can be accessed on Thursday, March 29. For tickets and information: visit publictheater.org, or call 212.967.7555
Mobility limited seating and reduced ticket prices for the disabled community and designated companion are available.

Information is also available at: www.ma-yitheatre.org

ABOUT MA-YI THEATER COMPANY:
Ma-Yi Theater Company recently enjoyed great critical and wild success with its double-billed KPOP last fall by Jason Kim, in addition to Carlos Celdran’s LIVIN’ LA VIDA IMELDA, Hansol Jung’s AMONG THE DEAD, A. Rey Pamatmat’s HOUSE RULES, Nandita Shenoy’s WASHER/DRYER, Michi Barall’s PEER GYNT AND THE NORWEGIAN HAPA BAND, Han Ong’s CHAIRS AND A LONG TABLE, and Rehana Lew Mirza’s SOLDIER X. The company won the Off-Broadway Alliance Award for its critically acclaimed production of Lloyd Suh’s THE WONG KIDS IN THE SECRET OF THE SPACE CHUPACABRA GO!

Founded in 1989 and now celebrating its 27th season, MA-YI is a Drama Desk and Obie Award-winning, Off-Broadway not-for-profit organization whose primary mission is to develop and produce new and innovative plays by Asian American writers.

Since its founding, Ma-Yi has distinguished itself as one of the country’s leading incubators of new work shaping the national discourse about what it means to be Asian American today. Its numerous acclaimed productions include Mike Lew’s BIKE AMERICA and MICROCRISIS, Qui Nguyen’s THE INEXPLICABLE REDEMPTION OF AGENT G and SOUL SAMURAI (with Vampire Cowboys), Mike Lew’s MICROCRISIS and the revival of Ralph B. Peña’s FLIPZOIDS. Other productions include: RESCUE ME by Michi Barall, Lloyd Suh’s AMERICAN HWANGAP and THE CHILDREN OF VONDERLY and THE ROMANCE OF MAGNO RUBIO by Lonnie Carter. Through successful programs such as the Writers Lab, Ma-Yi emboldens a new generation of Asian American artists to voice their experiences, while developing a steady stream of quality new works by Asian American playwrights for its own performing repertory. New works developed at the Writers Lab have gone on to successful productions around the country, at such theaters as Victory Gardens, Laguna Playhouse, Long Wharf Theater, Woolly Mammoth, and the Actors Theater of Louisville, to name a few. Ma-Yi Theater Company productions have earned 10 Obie Awards, numerous Henry Hewes Award nominations, a Drama Desk nomination for Best Play and the Special Drama Desk Award for “more than two decades of excellence and for nurturing Asian-American voices in stylistically varied and engaging theater.”
Ma-Yi Theater is under the leadership of Producing Artistic Director Ralph B. Peña.

ABOUT THE PUBLIC THEATER:
THE PUBLIC, under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, is theater of, by, and for the people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation’s first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. The Public’s wide breadth of programming includes an annual season of new work at its landmark home at Astor Place, Free Shakespeare in the Park at the Delacorte Theater in Central Park, The Mobile Unit touring throughout New York City’s five boroughs, Public Forum, Under the Radar, Public Studio, Public Works, Public Shakespeare Initiative, and Joe’s Pub. Since premiering HAIR in 1967, The Public continues to create the canon of American Theater and is currently represented on Broadway by the Tony Award-winning musical Hamilton by Lin-Manuel Miranda. Their programs and productions can also be seen regionally across the country and around the world. The Public has received 59 Tony Awards, 169 Obie Awards, 53 Drama Desk Awards, 54 Lortel Awards, 32 Outer Critic Circle Awards, 13 New York Drama Desk Awards, and 6 Pulitzer Prizes. publictheater.org

KPOP, “School Girls,” ‘Cost of Living,” and “Jesus Hopped the ‘A’ Train,” Take Top Honors at Lortel Awards 

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