Drama Desk and Obie Award-winning Ma-Yi Theater Company in association with The Public Theater Announce Two-Week Extension and Talkback Series for World Premiere Play TEENAGE DICK

Ma-Yi Theater Company, in association with The Public Theater, is pleased to announce a two-week extension of TEENAGE DICK. The world premiere play by Mike Lew will now play through Sunday, July 29, 2018. (It was previously announced to close on Sunday, July 15).

Additionally, talkback dates with the cast and creative team of TEENAGE DICK are scheduled for Saturday, June 23 matinee; Tuesday, June 26 evening; and Sunday, July 1 matinee. Matinee performances begin at 1:30 p.m., while evenings are scheduled for a 7:30 p.m. curtain.

TEENAGE DICK, which follows Ma-Yi’s phenomenal success with the critically acclaimed KPOP, winner of three 2018 Lucille Lortel Awards, is choreographed by Jennifer Weber (KPOP), directed by Tony Award nominee Moritz von Stuelpnagel (Hand to God, Present Laughter), and stars Tiffany Villarin (House Rules) and Gregg Mozgala (Light Shining). It runs Off-Broadway at The Public Theater (425 Lafayette St).

TEENAGE DICK is presented as a new fully realized production, having been developed by The Public Theater as part of its 2016 Public Studio Series.

TEENAGE DICK is a brilliantly hilarious take on Richard III, Shakespeare’s classic tale of power and lust. TEENAGE DICK reimagines the most famous disabled character of all time as a 16-year-old outsider in the deepest winter of his discontent: his junior year at Roseland High. Picked on because of his cerebral palsy (as well as his sometimes creepy Shakespearean way of speaking), Richard is determined to have his revenge and make his name by becoming president of the senior class. But as he manipulates and crushes the obstacles to his electoral success, Richard finds himself faced with a decision he never expected would be his to make: is it better to be loved or feared?

Rounding out the cast are Shannon DeVido (The Healing, Difficult People); Alex Breaux (Red Speedo); Sasha Diamond (Significant Other); and Marinda Anderson (Bella: An American Tall Tale).

TEENAGE DICK was commissioned and developed by The Apothetae (Gregg Mozgala, Artistic Director), a company dedicated to plays that explore and illuminate the “Disabled Experience.” It was further developed during a residency at the Eugene O’Neill Theater Center’s National Playwrights Conference in 2016 (Executive Director, Preston Whiteway and Wendy C. Goldberg, Artistic Director). This current production by Ma-Yi Theater Company is part of The Lark’s Venturous Playwright Fellowship Program, funded by Venturous Theater Fund of the Tides Foundation.

TEENAGE DICK features set design by Wilson Chin, costume design by Junghyun Georgia Lee, lighting design by Miriam Crowe, sound design by Fabian Obispo, and movement coordination by Robert Westley. Alyssa K. Howard is Production Stage Manager.

TICKETS and PERFORMANCE SCHEDULE:
TEENAGE DICK began performances June 12 and performs Tuesdays through Sundays at 7:30 p.m., including Saturday and Sunday matinees at 1:30 p.m., with performances scheduled through July 29, 2018. Please note there is no performance on Thursday, June 21 or Wednesday, July 4 at 7:30 p.m.; additionally, performances have been added on Monday, June 18 and July 2 at 7:30 p.m. For tickets and information: visit publictheater.org, or call 212.967.7555

Mobility limited seating and reduced ticket prices for the disabled community and designated companions are available.

Additional information is also available at: www.ma-yitheatre.com.

ABOUT MA-YI THEATER COMPANY:
Ma-Yi Theater Company recently enjoyed great critical and wild success with its double-billed KPOP last fall by Jason Kim, in addition to Carlos Celdran’s LIVIN’ LA VIDA IMELDA, Hansol Jung’s AMONG THE DEAD, A. Rey Pamatmat’s HOUSE RULES, Nandita Shenoy’s WASHER/DRYER, Michi Barall’s PEER GYNT AND THE NORWEGIAN HAPA BAND, Han Ong’s CHAIRS AND A LONG TABLE, and Rehana Lew Mirza’s SOLDIER X. The company won the Off-Broadway Alliance Award for its critically acclaimed production of Lloyd Suh’s THE WONG KIDS IN THE SECRET OF THE SPACE CHUPACABRA GO!

Founded in 1989 and now celebrating its 27th season, Ma-Yi is a Drama Desk and Obie Award-winning, Off-Broadway not-for-profit organization whose primary mission is to develop and produce new and innovative plays by Asian American writers.

Since its founding, Ma-Yi has distinguished itself as one of the country’s leading incubators of new work shaping the national discourse about what it means to be Asian American today. Its numerous acclaimed productions include Mike Lew’s BIKE AMERICA and MICROCRISIS, Qui Nguyen’s THE INEXPLICABLE REDEMPTION OF AGENT G and SOUL SAMURAI (with Vampire Cowboys), Mike Lew’s MICROCRISIS and the revival of Ralph B. Peña’s FLIPZOIDS. Other productions include: RESCUE ME by Michi Barall, Lloyd Suh’s AMERICAN HWANGAP and THE CHILDREN OF VONDERLY and THE ROMANCE OF MAGNO RUBIO by Lonnie Carter. Through successful programs such as the Writers Lab, Ma-Yi emboldens a new generation of Asian American artists to voice their experiences, while developing a steady stream of quality new works by Asian American playwrights for its own performing repertory. New works developed at the Writers Lab have gone on to successful productions around the country, at such theaters as Victory Gardens, Laguna Playhouse, Long Wharf Theater, Woolly Mammoth, and the Actors Theater of Louisville, to name a few. Ma-Yi Theater Company productions have earned 10 Obie Awards, numerous Henry Hewes Award nominations, a Drama Desk nomination for Best Play and the Special Drama Desk Award for “more than two decades of excellence and for nurturing Asian-American voices in stylistically varied and engaging theater.”

Ma-Yi Theater is under the leadership of Producing Artistic Director Ralph B. Peña.

ABOUT THE PUBLIC THEATER:
THE PUBLIC THEATER, under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation’s first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. The Public’s wide breadth of programming includes an annual season of new work at its landmark home at Astor Place, Free Shakespeare in the Park at the Delacorte Theater in Central Park, The Mobile Unit touring throughout New York City’s five boroughs, Public Forum, Under the Radar, Public Studio, Public Works, Public Shakespeare Initiative, and Joe’s Pub. Since premiering HAIR in 1967, The Public continues to create the canon of American Theater and is currently represented on Broadway by the Tony Award-winning musical Hamilton by Lin-Manuel Miranda.Their programs and productions can also be seen regionally across the country and around the world. The Public has received 59 Tony Awards, 170 Obie Awards, 53 Drama Desk Awards, 54 Lortel Awards, 32 Outer Critic Circle Awards, 13 New York Drama Desk Awards, and 6 Pulitzer Prizes. http://www.publictheater.org

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Ma-Yi Theater Company in association with The Public Theater is presenting Gregg Mozgala, Tiffany Villarin, Shannon DeVido, Alex Breaux, Sasha Diamond and Marinda Anderson in World Premiere of TEENAGE DICK by Mike Lew, June 12 – July 15

Ma-Yi Theater Company in association with The Public Theater is presenting the Off-Broadway world premiere of TEENAGE DICK, a new play by Mike Lew (Tiger Style!), led by Tiffany Villarin (HOUSE RULES – Ma-Yi Theater, PEERLESS – Cherry Lane Mentor Project) who returns to Ma-Yi Theater Company alongside the previously announced Gregg Mozgala (Cost of Living, 2018 Lucille Lortel Award for Outstanding Featured Actor in a Play), June 12 – July 15. The Public Theater is located at 425 Lafayette St in New York. Click here for tickets.

Rounding out the cast are Shannon DeVido (The Healing, Difficult People), Alex Breaux (Red Speedo), Sasha Diamond (Significant Other), and Marinda Anderson (Bella: An American Tall Tale).

Directed by Tony Award-nominee Moritz von Stuelpnagel (Hand to God and Present Laughter), and choreographed by Jennifer Weber (KPOP), TEENAGE DICK is presented as a new fully realized production, having been developed by The Public Theater as part of its 2016 Public Studio Series.

TEENAGE DICK is a brilliantly hilarious take on Richard III, Shakespeare’s classic tale of power and lust. TEENAGE DICK reimagines the most famous disabled character of all time as a 16-year-old outsider in the deepest winter of his discontent: his junior year at Roseland High. Picked on because of his cerebral palsy (as well as his sometimes creepy Shakespearean way of speaking), Richard is determined to have his revenge and make his name by becoming president of the senior class. But as he manipulates and crushes the obstacles to his electoral success, Richard finds himself faced with a decision he never expected would be his to make: is it better to be loved or feared?

TEENAGE DICK was commissioned and developed by The Apothetae (Gregg Mozgala, Artistic Director), a company dedicated to plays that explore and illuminate the “Disabled Experience.” It was further developed during a residency at the Eugene O’Neill Theater Center’s National Playwrights Conference in 2016 (Executive Director, Preston Whiteway and Wendy C. Goldberg, Artistic Director). This current production by Ma-Yi Theater Company is part of The Lark’s Venturous Playwright Fellowship Program, funded by Venturous Theater Fund of the Tides Foundation.

Design and creative credits for TEENAGE DICK are: Set Design – Wilson Chin, Costume Design – Junghyun Georgia Lee, Lighting Design – Miriam Crowe, Sound Design – Fabian Obispo, and Movement Coordination – Robert Westley. Alyssa K. Howard is Production Stage Manager.

TICKETS:
Scheduled through July 15, 2018, TEENAGE DICK will begin performances June 12 and perform Tuesdays through Sundays at 7:30PM, with Saturday and Sunday matinees at 1:30PM. Please note there is no performance on Saturday, June 16 at 1:30 or Thursday, June 21 or Wednesday, July 4 at 7:30PM; additionally, performances have been added on Monday, June 18 and July 2 at 7:30PM. Public Theater Partners and Members can access tickets on Thursday, March 22. Single tickets can be accessed on Thursday, March 29. For tickets and information: visit publictheater.org, or call 212.967.7555
Mobility limited seating and reduced ticket prices for the disabled community and designated companion are available.

Information is also available at: www.ma-yitheatre.org

ABOUT MA-YI THEATER COMPANY:
Ma-Yi Theater Company recently enjoyed great critical and wild success with its double-billed KPOP last fall by Jason Kim, in addition to Carlos Celdran’s LIVIN’ LA VIDA IMELDA, Hansol Jung’s AMONG THE DEAD, A. Rey Pamatmat’s HOUSE RULES, Nandita Shenoy’s WASHER/DRYER, Michi Barall’s PEER GYNT AND THE NORWEGIAN HAPA BAND, Han Ong’s CHAIRS AND A LONG TABLE, and Rehana Lew Mirza’s SOLDIER X. The company won the Off-Broadway Alliance Award for its critically acclaimed production of Lloyd Suh’s THE WONG KIDS IN THE SECRET OF THE SPACE CHUPACABRA GO!

Founded in 1989 and now celebrating its 27th season, MA-YI is a Drama Desk and Obie Award-winning, Off-Broadway not-for-profit organization whose primary mission is to develop and produce new and innovative plays by Asian American writers.

Since its founding, Ma-Yi has distinguished itself as one of the country’s leading incubators of new work shaping the national discourse about what it means to be Asian American today. Its numerous acclaimed productions include Mike Lew’s BIKE AMERICA and MICROCRISIS, Qui Nguyen’s THE INEXPLICABLE REDEMPTION OF AGENT G and SOUL SAMURAI (with Vampire Cowboys), Mike Lew’s MICROCRISIS and the revival of Ralph B. Peña’s FLIPZOIDS. Other productions include: RESCUE ME by Michi Barall, Lloyd Suh’s AMERICAN HWANGAP and THE CHILDREN OF VONDERLY and THE ROMANCE OF MAGNO RUBIO by Lonnie Carter. Through successful programs such as the Writers Lab, Ma-Yi emboldens a new generation of Asian American artists to voice their experiences, while developing a steady stream of quality new works by Asian American playwrights for its own performing repertory. New works developed at the Writers Lab have gone on to successful productions around the country, at such theaters as Victory Gardens, Laguna Playhouse, Long Wharf Theater, Woolly Mammoth, and the Actors Theater of Louisville, to name a few. Ma-Yi Theater Company productions have earned 10 Obie Awards, numerous Henry Hewes Award nominations, a Drama Desk nomination for Best Play and the Special Drama Desk Award for “more than two decades of excellence and for nurturing Asian-American voices in stylistically varied and engaging theater.”
Ma-Yi Theater is under the leadership of Producing Artistic Director Ralph B. Peña.

ABOUT THE PUBLIC THEATER:
THE PUBLIC, under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, is theater of, by, and for the people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation’s first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. The Public’s wide breadth of programming includes an annual season of new work at its landmark home at Astor Place, Free Shakespeare in the Park at the Delacorte Theater in Central Park, The Mobile Unit touring throughout New York City’s five boroughs, Public Forum, Under the Radar, Public Studio, Public Works, Public Shakespeare Initiative, and Joe’s Pub. Since premiering HAIR in 1967, The Public continues to create the canon of American Theater and is currently represented on Broadway by the Tony Award-winning musical Hamilton by Lin-Manuel Miranda. Their programs and productions can also be seen regionally across the country and around the world. The Public has received 59 Tony Awards, 169 Obie Awards, 53 Drama Desk Awards, 54 Lortel Awards, 32 Outer Critic Circle Awards, 13 New York Drama Desk Awards, and 6 Pulitzer Prizes. publictheater.org

KPOP, “School Girls,” ‘Cost of Living,” and “Jesus Hopped the ‘A’ Train,” Take Top Honors at Lortel Awards 

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Vinie Burrows, Rob Campbell, Matthew Jeffers, Mikéah Ernest Jennings, Gregg Mozgala and Evelyn Spahr Set for Rachel Chavkin-helmed LIGHT SHINING IN BUCKINGHAMSHIRE by Caryl Churchill at NYTW, April 18 – May 27

Vinie Burrows. Photo by Lia Chang
Vinie Burrows. Photo by Lia Chang
Vinie Burrows. Photo by Lia Chang

New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker) is presenting LIGHT SHINING IN BUCKINGHAMSHIRE, by NYTW Usual Suspect and five-time Obie Award winner Caryl Churchill (Love and Information; A Number) directed by NYTW Usual Suspect, Tony Award nominee, & three-time Obie Award winner Rachel Chavkin (Hadestown; Natasha, Pierre & The Great Comet of 1812).  LIGHT SHINING IN BUCKINGHAMSHIRE, which will be NYTW’s eighth collaboration with Churchill, will begin previews on Wednesday, April 18, 2018, with an opening night set for Monday, May 7 at New York Theatre Workshop (79 E. 4th Street New York, NY 10003), for a limited run through Sunday, May 27, 2018.

The cast for LIGHT SHINING IN BUCKINGHAMSHIRE includes Vinie Burrows (Walk Together Children), Rob Campbell (All the Way), Matthew Jeffers (The Mysteries), Mikéah Ernest Jennings (MASTER), Gregg Mozgala (Cost of Living) and Evelyn Spahr (The Post).

The creative team includes scenic design by Riccardo Hernández (Indecent), costume design by Toni-Leslie James (Amazing Grace), lighting design by Isabella Byrd (Sundown, Yellow Moon), sound design by Mikaal Sulaiman (The Rape of the Sabine Women), properties by Noah Mease (Natasha, Pierre & The Great Comet of 1812), original music and music direction by Orion Johnstone ({my lingerie play}: The Concert and Call to Arms!!!!!!!!!) and stage management by Jhanaë Bonnick (That Bachelorette Show).

On the heels of her acclaimed production of Hadestown on the NYTW stage and her Broadway debut with Natasha, Pierre & The Great Comet of 1812, three-time Obie Award winner Rachel Chavkin returns to New York Theatre Workshop with Caryl Churchill’s incisive drama LIGHT SHINING IN BUCKINGHAMSHIRE. In 1647 England, power is shifting and, amid the chaos and confusion, revolutionaries across the country are dreaming of a new future.

Single tickets for LIGHT SHINING IN BUCKINGHAMSHIRE are $65, with $25 tickets available for performances from April 18-19 and $45 tickets available for performances from April 20-29.

In order to provide access to those in their surrounding community and those with income limitations, NYTW launched CHEAPTIX, an affordable ticket program. At the first two performances of every NYTW production, tickets are sold to the general public for just $25. Tickets are available on a first-come, first-served basis, online at NYTW.org or by phone from the NYTW Box Office at 212-460-5475. Standard ticketing fees apply.

Additionally, a $25 day-of ticket rush will be available for young people, seniors, artists and Lower East Side residents. Rush tickets are subject to availability and are sold cash-only, limit two per person. Proper identification is required for all rush tickets. Youth (ages 25 and under) and seniors (ages 65+) may present an ID indicating date-of-birth; Artists may present an ID and a program or union card; Lower East Side residents may present an ID that includes your address.

The performance schedule for LIGHT SHINING IN BUCKINGHAMSHIRE is as follows: Tuesday and Wednesday at 7pm, Thursday and Friday at 8pm, Saturday at 2pm & 8pm, Sunday at 1pm and 7pm. Exceptions: there will be no 2pm performance on Saturday, April 21; no performance on Tuesday, May 8; and no 7pm performance on Sunday, May 20.

http://www.nytw.org