Teal Wicks, Daniel K. Isaac and More Set for THE BALLAD OF LITTLE JO Album Release Concert at Feinstein’s/54 Below on November 12

Eric William Morris, Daniel K. Isaac, Jane Bruce and Teal Wicks in THE BALLAD OF LITTLE JO. Photo by Amanda Crommett

THE BALLAD OF LITTLE JO played an acclaimed summer engagement at Two River Theater in Red Bank, NJ, starring Teal Wicks (Wicked, Finding Neverland), Eric William Morris (Be More Chill, Mamma Mia!), Jane Bruce (Elf, The Theory of Relativity), and Daniel K. Isaac (“According to My Mother,” “Billions”). The company also included Cole Burden, Brian Flores, Leenya Rideout, Christopher M. Russo, Perry Sherman, Kristin Stokes, Ian Michael Stuart, and Barbara Tirrell.

Daniel K. Isaac, Teal Wicks, Jane Bruce and Eric William Morris, in THE BALLAD OF LITTLE JO. Photo by Amanda Crommett
Daniel K. Isaac, Teal Wicks, Jane Bruce and Eric William Morris, in THE BALLAD OF LITTLE JO. Photo by Amanda Crommett

On Sunday, November 12th, Feinstein’s/54 Below, Broadway’s Supper Club, will present an album release concert featuring members of the cast and band at 9:30 PM. Tickets are $35, include a CD and are available here. Tickets on the day of performance after 4PM are only available by calling 646.476.3551.

Two River Theater's THE BALLAD OF LITTLE JO with Teal Wicks & More Gets Original Cast Recording

The Musical Company will release the original cast recording of the celebrated THE BALLAD OF LITTLE JO on November 10, 2017. The album is also on Amazon and iTunes For more information on the album’s release, visit here.

THE BALLAD OF LITTLE JO by Mike Reid (composer, co-bookwriter), Sarah Schlesinger (lyricist, co-bookwriter), and John Dias (co-bookwriter) is inspired by the real-life-story of Josephine Monaghan, a young woman from late 19th century Boston who made a new life in an Idaho mining town disguised as a man called Jo.

Grammy Award-winning, multi-Platinum songwriter Mike Reid (whose many hits include “I Can’t Make You Love Me”) and Sarah Schlesingertogether have received the Kleban Prize, Richard Rodgers Award, Gilman & Gonzalez Falla Theatre Foundation Award, and Chicago’s Jeff Award for Best Original Musical New Work for THE BALLAD OF LITTLE JO.

John Dias, Two River’s Artistic Director, made his Two River directorial debut with this production, which featured choreography by Marc Kimelman.

The album was produced by Sean Patrick Flahaven, CEO of The Musical Company and a producer on over two dozen cast albums for Stephen Sondheim and others, nine of which were Grammy-nominated, including the triple-Platinum, Grammy-winning Hamilton.

The band consists of John O’Neill (conductor/piano) and Martin Agee(violin),Troy Chang (cello), Philip Coiro (drums/percussion), Simon Hutchings(reeds), Justin Rothberg (guitar), and Joseph Wallace (bass).

Prior to the production at Two River Theater, Steppenwolf Theatre Company produced THE BALLAD OF LITTLE JO in 2000 as its first musical. It was subsequently produced at the Bridewell Theatre in London in 2003.

The creative team for Two River Theater’s production of THE BALLAD OF LITTLE JO included orchestrator Danny Larsen, music supervisor & vocal arranger Patrick Vaccariello, scenic designer Michael Carnahan, costume designer Jess Goldstein, lighting designer Jennifer Tipton, sound designerDrew Levy, wig designer Leah J. Loukas, and fight director Thomas Schall. The casting was by Jack Doulin + Sharky. The production stage manager was Amanda Michaels and the assistant stage manager was Denise Cardarelli.

The Musical Company has also announced that it represents live stage performance licensing of THE BALLAD OF LITTLE JO, available now to professional theatres, with subsequent amateur licensing coming soon.

THE MUSICAL COMPANY provides best-in-class, comprehensive service to creators and producers of musicals, including theatrical licensing, music publishing and cast recording. Our experienced, innovative, client-and customer-focused approach is designed to help bring theatre to a wide audience. Operating from our headquarters in New York, with offices in London and Los Angeles, we’re owned by two industry-leading, independent and like-minded music companies, Andrew Lloyd Webber’s The Really Useful Group and Concord Music. Visit themusicalcompany.com.

Since its founding in 1994, TWO RIVER THEATER has been committed to creating great American theater by developing and producing work by some of the country’s leading artists. We are proud to be viewed as a vital cultural resource in the community of Red Bank, New Jersey. Through 10 theatrical productions each year (including world premieres, musicals, classics and theater for young audiences) and 50+ annual events, we produce exceptional theater and cultivate engaged audiences. TWO RIVER THEATER is under the leadership of Artistic Director John Dias and Managing Director Michael Hurst. For more information, go to tworivertheater.org.

FEINSTEIN’S/54 BELOW, Broadway’s Supper Club & Private Event Destination, is a performance venue in the grand tradition of New York City nightlife. A few blocks from the heart of Times Square and just below the legendary Studio 54, FEINSTEIN’S/54 BELOW is a classically designed state-of-the art nightclub in the theatre district that hosts audiences with warmth and style. FEINSTEIN’S/54 BELOW presents iconic and rising stars from the worlds of Broadway and popular music and has set a new standard for culinary excellence worthy of the world-class entertainment on the stage. Located at 254 West 54th Street, FEINSTEIN’S/54 BELOW features up to three shows nightly with cover charges ranging from $5-$105.

Click here  for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang, Photo by Garth Kravits
Lia Chang, Photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers,  musicians and corporations. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Jade Magazine and Playbill.com.

All text, graphics, articles & photographs: © 2000-2017 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

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Francis Jue, Ned Eisenberg, Jennifer Lim, Daniel K. Isaac, Jeena Yi, Joe Ngo and Tobias C. Wong Set for Readings at Lauren Yee’s Kesselring Prize Ceremony on November 5

Francis Jue (Larry) in the world premiere of KING OF THE YEES. Photo by Liz Lauren
Francis Jue (Larry) in the world premiere of KING OF THE YEES. Photo by Liz Lauren
Francis Jue (Larry) in the world premiere of KING OF THE YEES. Photo by Liz Lauren

Actors Francis Jue, Ned Eisenberg, Jennifer Lim, Daniel K. Isaac, Jeena Yi, Joe Ngo and Tobias C. Wong are set for a reading of plays by Lauren Yee when the rising young playwright receives the 2017 Kesselring Prize on Sunday, Nov. 5 at 4 pm at the National Arts Club (15 Gramercy Park South). Ms. Yee earned the Kesselring for her play THE GREAT LEAP, to be produced this season by Denver Center, Seattle Rep and Atlantic Theater Company. The Prize includes a $25,000 award and the opportunity for Ms. Yee to reside for two weeks in the historic clubhouse of the National Arts Club in order to develop her work.

David Henry Hwang - Photo by Lia Chang, and Lauren Yee
David Henry Hwang – Photo by Lia Chang, and Lauren Yee

Tony Award-winning playwright David Henry Hwang will present Ms. Yee with the prize at an awards ceremony at the National Arts Club on Sunday, November 5 at 4 p.m. The evening will include readings of select scenes from Ms. Yee’s plays. A gala reception in the NAC parlors and dining room follows the awards presentation. For further information and to reserve seat for the awards ceremony and readings, visit Kesselring@thenationalartsclub.org.

The readings will feature selections from Yee’s plays KING OF THE YEES, THE GREAT LEAP and CAMBODIAN ROCK BAND.

Also present at the awards presentation as a guest speaker on Sunday: actress Regina Taylor.

Established in 1980 by Charlotte Kesselring – widow of playwright Joseph Kesselring – to honor and support young writers who are not as yet nationally recognized, and provide them with an honorarium and indirect support towards development of their work. Past recipients include Lucas Hnath (now on Broadway with A DOLL’S HOUSE PART 2), Tony Kushner, Anna Deavere Smith, Nicky Silver and last year’s honoree, Lindsey Ferrentino, whose play UGLY LIES THE BONE was produced this year at the National Theatre in London.

Each year, the National Arts Club invites theaters across the country to nominate an emerging playwright for the Kesselring Prize who is poised for a higher national profile through his or her growing body-of-work. Atlantic Theater Company nominated Ms. Yee.

Her previous works include IN A WORD, a finalist for the ATCA/Steinberg Award; THE HATMAKER’S WIFE, which was an Outer Critics Circle nominee for its John Gassner Award for best play by a new American playwright; and KING OF THE YEES, which premiered last season at The Goodman Theatre.

The 2017 Kesselring Prize Jury that selected Ms. Yee consisted of: famed playwright John Guare; Dramaturg of Lincoln Center Theater, Anne Cattaneo; and two-time Pulitzer Prize winning playwright Lynn Nottage. The Kesselring Prize Artistic Director is Michael Parva.

www.nationalartsclub.org

Click here  for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang, Photo by Garth Kravits
Lia Chang, Photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers,  musicians and corporations. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Jade Magazine and Playbill.com.

All text, graphics, articles & photographs: © 2000-2017 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

Jane Bruce, Daniel K. Isaac, Eric William Morris, Teal Wicks and More in THE BALLAD OF LITTLE JO at Two River Theater, Opens June 9

Daniel K. Isaac, Teal Wicks, Jane Bruce and Eric William Morris, in THE BALLAD OF LITTLE JO. Photo by Amanda Crommett
Eric William Morris, Daniel K. Isaac, Jane Bruce and Teal Wicks in THE BALLAD OF LITTLE JO. Photo by Amanda Crommett
Eric William Morris, Daniel K. Isaac, Jane Bruce and Teal Wicks in THE BALLAD OF LITTLE JO. Photo by Amanda Crommett

Two River Theater, under the leadership of Artistic Director John Dias and Managing Director Michael Hurst, concludes its 2016/17 Season with The Ballad of Little Jo, a musical by Mike Reid (composer, co-bookwriter), Sarah Schlesinger (lyricist, co-bookwriter), and John Dias (co-bookwriter). Dias, the theater’s Artistic Director, is also making his Two River directorial debut with this production. The choreography is by Marc Kimelman, with music direction and dance and incidental arrangements by John O’Neill. The Ballad of Little Jo is based on the film of the same name by Maggie Greenwald.

Performances will begin in Two River’s Rechnitz Theater, 21 Bridge Avenue, on Saturday, June 3 and continue through Sunday, June 25. The opening night performance is Friday, June 9 at 8pm. Tickets are available from 732.345.1400 or tworivertheater.org. The production is supported by The Roy Cockrum Foundation and the National Endowment for the Arts. The lead production sponsor is Monmouth University.

The score, which evokes the folk ballads of pioneer America, is by Grammy Award-winning Nashville songwriter Mike Reid (whose many hits include “I Can’t Make You Love Me”) and lyricist Sarah Schlesinger. Together, Reid and Schlesinger have received the Kleban Prize, Richard Rodgers Award, Gilman & Gonzalez Falla Theatre Foundation Award, and Chicago’s Jeff Award for Best Original Musical.

Set in the late 19th century, The Ballad of Little Jo is inspired by the remarkable real-life story of a woman named Josephine Monaghan. Originally from Boston, Josephine lived in a tough Idaho mining town for nearly 20 years, disguised as a man called “Jo.”

The Ballad of Little Jo features Jane Bruce (Elf, Missed Connections: A Craigslist Musical) as Sara Stewart Ellis, Daniel K. Isaac (“According to My Mother,” “Billions”) as Tin Man Wong, Eric William Morris (Be More Chill, Mamma Mia!) as Jordan Ellis, and Teal Wicks (Wicked, Finding Neverland) as Josephine Monaghan/Jo Monaghan.

Daniel K. Isaac Talks “Billions” and “According to My Mother” Screenings at Outfest and CAAMfest 

The company also includes Cole Burden, Brian Flores, Leenya Rideout, Christopher Russo, Perry Sherman, Kristin Stokes, Ian Michael Stuart, and Barbara Tirrell.

The band consists of John O’Neill (conductor/piano) and Pauline Bradshaw (violin), Troy Chang (cello), Philip Coiro (drums/percussion), Simon Hutchings (reeds), Justin Rothberg (guitar), and Joseph Wallace (bass).

The creative team for The Ballad of Little Jo includes music supervisor Patrick Vaccariello, orchestrator Danny Larsen, scenic designer Michael Carnahan, costume designer Jess Goldstein, lighting designer Jennifer Tipton, sound designer Drew Levy, wig designer Leah J. Loukas, and fight director Thomas Schall. The casting is by Jack Doulin + Sharky. The production stage manager is Amanda Michaels and the assistant stage manager is Denise Cardarelli.

The Ballad of Little Jo had its world premiere at Steppenwolf Theatre Company in 2000, in a production that prompted John Lahr to call it “the best piece of musical storytelling I have seen in a decade” in The New Yorker. But Lahr also called it “unfinished.” It was presented at the Bridewell Theatre in London in 2003 and had a reading at The Public Theater in 2008. Subsequent to becoming Two River’s Artistic Director in 2010, John Dias joined the creative team as co-bookwriter and director, and has been helping to further develop the piece through workshops and readings.

“The Ballad of Little Jo is a beautiful musical that I watched take shape even before its world premiere at Steppenwolf Theatre in Chicago,” says Dias. “It represents something that, to my mind, is vastly underserved in the American theater: there are many great new works that have had a first production, but are worthy of further attention and additional cultivation. Two River Theater and Red Bank audiences have embraced Mike and Sarah since we premiered their chamber musical In This House in 2012, and we have been developing Little Jo since then.”

Ticket prices range from $40 to $70, with discounts available for groups, seniors, and U.S. military personnel, their families, and veterans. A limited number of $20 tickets is available for every performance; $20 tickets may be partial view. Tickets for patrons under 30 are $20 and include the best available seats at every performance. Tickets are available from tworivertheater.org or 732.345.1400.

Book Club: True Grit by Charles Portis
Monday, June 19 at 6:30pm in the Victoria Mastrobuono Library
Literary Manager Anika Chapin will lead a discussion of True Grit by Charles Portis, the story of a young girl in the American West. In conjunction with The Ballad of Little Jo, the Two River Book Club will discuss the Western as a genre, the changing portrayal of men and women, and the dangerous allure of the frontier in art and life. This event is free and open to the public. To reserve a spot, interested patrons should call 732.345.1400 or visit www.tworivertheater.org.

Audience Extras:
Before Play and Lobby Display
Audiences will learn about The Ballad of Little Jo in Two River’s Before Play lecture series, which takes place 45 minutes prior to every performance, and Lobby Display.

Post-Play Conversations
Discussions with members of the cast and a member of Two River Theater’s Artistic staff will take place following the performances on Wednesday, June 14 at 7pm; Sunday, June 18 at 3pm; and Wednesday, June 21 at 1pm.

Accessibility:
Working with Google, Two River has created and launched a virtual tour of its facility, which lives on Google Maps and tworivertheater.org. This virtual tour provides an additional level of support and benefit for patrons who use wheelchairs or require other assistance by allowing them to virtually come through the theater’s front doors and view the space in detail in advance of their visit.

An audio-described performance is scheduled for Wednesday, June 21 at 1pm, and an open-captioned performance is scheduled for Saturday, June 24 at 3pm. Tickets are available at a discounted rate of $25 for patrons using these services. To reserve wheelchair-accessible seating or tickets to a performance listed above, patrons should call 732.345.1400 or e-mail boxoffice@trtc.org.

Two River Theater, under the leadership of Artistic Director John Dias and Managing Director Michael Hurst, produces American and world masterpieces, and new plays and musicals. Two River Theater offers new-play commissions and artistic development activities that support the most adventurous artists in the American theater, and cultivates a new generation of theatergoers through innovative arts education programs that introduce young people to the theater and create opportunities for them to engage with renowned theater artists. Two River Theater was founded by Joan and Robert Rechnitz in 1994. Visit tworivertheater.org for more.

Jane Bruce, Daniel K. Isaac, Eric William Morris, Teal Wicks and More Set for THE BALLAD OF LITTLE JO at Two River Theater, June 3-25

Two River Theater, under the leadership of Artistic Director John Dias and Managing Director Michael Hurst, concludes its 2016/17 Season with The Ballad of Little Jo, a musical by Mike Reid (composer, co-bookwriter), Sarah Schlesinger (lyricist, co-bookwriter), and John Dias (co-bookwriter). Dias, the theater’s Artistic Director, is also making his Two River directorial debut with this production. The choreography is by Marc Kimelman, with music direction and dance and incidental arrangements by John O’Neill. The Ballad of Little Jo is based on the film of the same name by Maggie Greenwald.

Performances will begin in Two River’s Rechnitz Theater, 21 Bridge Avenue, on Saturday, June 3 and continue through Sunday, June 25. The opening night performance is Friday, June 9 at 8pm. Tickets are available from 732.345.1400 or tworivertheater.org. The production is supported by The Roy Cockrum Foundation and the National Endowment for the Arts. The lead production sponsor is Monmouth University.

The score, which evokes the folk ballads of pioneer America, is by Grammy Award-winning Nashville songwriter Mike Reid (whose many hits include “I Can’t Make You Love Me”) and lyricist Sarah Schlesinger. Together, Reid and Schlesinger have received the Kleban Prize, Richard Rodgers Award, Gilman & Gonzalez Falla Theatre Foundation Award, and Chicago’s Jeff Award for Best Original Musical.

Set in the late 19th century, The Ballad of Little Jo is inspired by the remarkable real-life story of a woman named Josephine Monaghan. Originally from Boston, Josephine lived in a tough Idaho mining town for nearly 20 years, disguised as a man called “Jo.”

The Ballad of Little Jo will feature Jane Bruce (Elf, Missed Connections: A Craigslist Musical) as Sara Stewart Ellis, Daniel K. Isaac (“According to My Mother,” “Billions”) as Tin Man Wong, Eric William Morris (Be More Chill, Mamma Mia!) as Jordan Ellis, and Teal Wicks (Wicked, Finding Neverland) as Josephine Monaghan/Jo Monaghan.

Daniel K. Isaac Talks “Billions” and “According to My Mother” Screenings at Outfest and CAAMfest 

The company also includes Cole Burden, Brian Flores, Leenya Rideout, Christopher Russo, Perry Sherman, Kristin Stokes, Ian Michael Stuart, and Barbara Tirrell.

The band will consist of John O’Neill (conductor/piano) and Pauline Bradshaw (violin), Troy Chang (cello), Philip Coiro (drums/percussion), Simon Hutchings (reeds), Justin Rothberg (guitar), and Joseph Wallace (bass).

The creative team for The Ballad of Little Jo includes music supervisor Patrick Vaccariello, orchestrator Danny Larsen, scenic designer Michael Carnahan, costume designer Jess Goldstein, lighting designer Jennifer Tipton, sound designer Drew Levy, wig designer Leah J. Loukas, and fight director Thomas Schall. The casting is by Jack Doulin + Sharky. The production stage manager is Amanda Michaels and the assistant stage manager is Denise Cardarelli.

The Ballad of Little Jo had its world premiere at Steppenwolf Theatre Company in 2000, in a production that prompted John Lahr to call it “the best piece of musical storytelling I have seen in a decade” in The New Yorker. But Lahr also called it “unfinished.” It was presented at the Bridewell Theatre in London in 2003 and had a reading at The Public Theater in 2008. Subsequent to becoming Two River’s Artistic Director in 2010, John Dias joined the creative team as co-bookwriter and director, and has been helping to further develop the piece through workshops and readings.

“The Ballad of Little Jo is a beautiful musical that I watched take shape even before its world premiere at Steppenwolf Theatre in Chicago,” says Dias. “It represents something that, to my mind, is vastly underserved in the American theater: there are many great new works that have had a first production, but are worthy of further attention and additional cultivation. Two River Theater and Red Bank audiences have embraced Mike and Sarah since we premiered their chamber musical In This House in 2012, and we have been developing Little Jo since then.”

Ticket prices range from $40 to $70, with discounts available for groups, seniors, and U.S. military personnel, their families, and veterans. A limited number of $20 tickets is available for every performance; $20 tickets may be partial view. Tickets for patrons under 30 are $20 and include the best available seats at every performance. Tickets are available from tworivertheater.org or 732.345.1400.

Inside Two River:
Film Screening: The Ballad of Little Jo (1993) – From Screen to Stage
Friday, May 5 at 7pm in the Rechnitz Theater
Two River will screen Maggie Greenwald’s 1993 film The Ballad of Little Jo, free and open to the public. Members of the musical’s creative team will introduce the film and discuss how they translated the story from screen to stage. To reserve a spot, interested patrons should call 732.345.1400 or visit www.tworivertheater.org.

Open Rehearsal
Tuesday, May 9 at 7pm in the Rechnitz Theater
Audiences are invited to join Two River Theater to watch an open rehearsal in the Rechnitz Theater with director John Dias and members of the cast as they work on select scenes and songs from the production. The rehearsal will include a short Q&A session, and will be followed by dessert and coffee in the lobby. To reserve a spot, interested patrons should call 732.345.1400 or visit www.tworivertheater.org.

TEDxNavesink Conference: “Identity”
Saturday, May 20 from 9am-5pm at the Paramount Theatre on the Boardwalk at Asbury Park
John Dias will introduce the song “Unbuttoning the Buttons” from The Ballad of Little Jo at this year’s annual TEDxNavesink Conference, which is exploring the theme of Identity. TEDxNavesink is offering a 20% per ticket discount to the all-day conference for Two River Theater patrons, members, colleagues, and their families. For information or to purchase tickets, patrons should visit http://tedxnavesink.com/ and use the code TRTheaterTEDx17.

Book Club: True Grit by Charles Portis
Monday, June 19 at 6:30pm in the Victoria Mastrobuono Library
Literary Manager Anika Chapin will lead a discussion of True Grit by Charles Portis, the story of a young girl in the American West. In conjunction with The Ballad of Little Jo, the Two River Book Club will discuss the Western as a genre, the changing portrayal of men and women, and the dangerous allure of the frontier in art and life. This event is free and open to the public. To reserve a spot, interested patrons should call 732.345.1400 or visit www.tworivertheater.org.

Audience Extras:
Before Play and Lobby Display
Audiences will learn about The Ballad of Little Jo in Two River’s Before Play lecture series, which takes place 45 minutes prior to every performance, and Lobby Display.

Post-Play Conversations
Discussions with members of the cast and a member of Two River Theater’s Artistic staff will take place following the performances on Wednesday, June 14 at 7pm; Sunday, June 18 at 3pm; and Wednesday, June 21 at 1pm.

Accessibility:
Working with Google, Two River has created and launched a virtual tour of its facility, which lives on Google Maps and tworivertheater.org. This virtual tour provides an additional level of support and benefit for patrons who use wheelchairs or require other assistance by allowing them to virtually come through the theater’s front doors and view the space in detail in advance of their visit.

An audio-described performance is scheduled for Wednesday, June 21 at 1pm, and an open-captioned performance is scheduled for Saturday, June 24 at 3pm. Tickets are available at a discounted rate of $25 for patrons using these services. To reserve wheelchair-accessible seating or tickets to a performance listed above, patrons should call 732.345.1400 or e-mail boxoffice@trtc.org.

Two River Theater, under the leadership of Artistic Director John Dias and Managing Director Michael Hurst, produces American and world masterpieces, and new plays and musicals. Two River Theater offers new-play commissions and artistic development activities that support the most adventurous artists in the American theater, and cultivates a new generation of theatergoers through innovative arts education programs that introduce young people to the theater and create opportunities for them to engage with renowned theater artists. Two River Theater was founded by Joan and Robert Rechnitz in 1994. Visit tworivertheater.org for more.

Daniel K. Isaac Talks “Billions” and “According to My Mother” Screenings at Outfest and CAAMfest in March

16708483_1504651682880200_5975720885145527959_nDaniel K. Isaac’s award-winning independent pilot presentation/short film “According to My Mother,” co-created with Cathy Y. Yan, will have its West Coast Premiere at Outfest on March 4th at the Egyptian Theatre in LA at 8:00PM and and will screen at CAAMfest on  March 10th at the Roxie in San Francisco at 9:40PM.

Get tickets here: Outfest Fusion Gala Shorts & After Party

“According to My Mother” is a comedic series about a young, gay Korean American actor and his disapproving, devout Christian mother who moves in with him and changes everything.

“According to My Mother” took home two NYTVF awards at the 12th annual New York Television Festival, including Best Drama and Best Actor for Isaac, in New York last fall. www.accordingtomymother.com

Daniel K. Isaac at the Showtime and elit Vodka hosted BILLIONS Season 2 premiere and party, held at Cipriani's in New York City on February 13, 2017. (Facebook)
Daniel K. Isaac at the Showtime and elit Vodka hosted BILLIONS Season 2 premiere and party, held at Cipriani’s in New York City on February 13, 2017. (Facebook)

Isaac can also be seen in “Billions” Season Two, which premieres on Sunday, February 19th at 10:00PM on SHOWTIME. The high-profile cast is led by Emmy winners Paul Giamatti (“John Adams”) and Damian Lewis (“Homeland”) as Chuck Rhoades and Bobby Axelrod, respectively.

Maggie Siff and Daniel K. Isaac at the Showtime and elit Vodka hosted BILLIONS Season 2 premiere and party, held at Cipriani's in New York City on February 13, 2017. - Photo: Brian Bedder/SHOWTIME
Maggie Siff and Daniel K. Isaac at the Showtime and elit Vodka hosted BILLIONS Season 2 premiere and party, held at Cipriani’s in New York City on February 13, 2017. – Photo: Brian Bedder/SHOWTIME

Chang: Who do you play in “Billions”?
Isaac: I play ‘Ben Kim.’ In the pilot he is introduced as the new analyst (“Stanford-Wharton”) hired to work at Bobby Axelrod’s (Damian Lewis) firm, Axe Capital. In season two he has hopes of becoming a portfolio manager but…well…you’ll see… #TeamAxe.

Vogue.com

Chang: What are you rehearsing now?
Isaac: I just finished a two-week workshop of Henry VI Parts 1, 2, & 3, with five other amazingly talented Asian American actors, directed by the brilliant Stephen Brown-Fried, and with the help of NAATCO and the Shakespeare Society.

Daniel K. Isaac and Kelly AuCoin at the Showtime and elit Vodka hosted BILLIONS Season 2 premiere and party, held at Cipriani's in New York City on February 13, 2017. (Facebook)
Daniel K. Isaac and Kelly AuCoin at the Showtime and elit Vodka hosted BILLIONS Season 2 premiere and party, held at Cipriani’s in New York City on February 13, 2017. (Facebook)

Chang: How did you find out about your awards for “According to My Mother”?
Isaac: Last fall, a pilot presentation I co-wrote and acted in called “According To My Mother” was awarded Best Drama and Best Actor at NYTVF. I was sitting backstage between scenes of my last play Sagittarius Ponderosa when my phone started blowing up with congratulatory texts and emails. It was surreal. Thank goodness if was on non-vibrating-silent.

14021611_1324491777562859_3881937195464342169_nChang: How did the project begin?
Isaac: “According To My Mother” began as a series of Facebook posts! I’d have a conversation with my (Korean, immigrant, conservative, Christian) mom on the phone, or have a text or email exchange, and I began sharing our exchanges online. It’s actually how I got started writing. Simply by transcribing our conversations. Then a close filmmaker friend, Cathy Y. Yan, approached me to turn the posts into a short film which then evolved into a pilot.

Chang: What are you future plans for it?
Isaac: We now have an 18 minute pilot presentation slash short film that’s finishing up the festival circuit. We will be at Outfest and CAAMfest this March! And we’ve got a series bible we are pitching in hopes of making the series come to life. Fingers crossed!

Chang: Does your mother understand your life and career now?
Isaac: The short answer would be ‘No.’ The long answer would be…’buy me a manhattan and we can talk about it.’ We will always have our differences and believe very opposite things about lives and career paths.

Funnily enough, I was introduced to acting because my mom had heard this story of a pastor getting stage-fright and she didn’t want her future pastor/lawyer/doctor/politician/all-of-the-above son getting stage-fright so she signed me up for the church theatre troupe. So when I declared a Theatre Major on my college applications and then moved to New York to be an actor, she sort of knew it was her “fault.” But she reasoned that great actors are celebrities and thus can use their platforms for “good” aka preaching the gospel and warning mankind about the end of the world being nigh etc etc. She recently googled my name and texted “You are very famous Gey guy but I not happy”… does that answer your question? (And for anyone suddenly feeling bad for me about this text, know that it is routine and I was too busy laughing about her spelling of “Gey” to have any hurt feelings.)

Daniel K. Isaac and Bex Kwan in NAATCO's Sagittarius Ponderosa.
Daniel K. Isaac and Bex Kwan in NAATCO’s Sagittarius Ponderosa.

Chang: How did Sagittarius Ponderosa go for you? 
Isaac: It was an absolute pleasure to finally get to work with NAATCO, a company I’ve admired and loved since I’d moved to the city seven and a half years ago. I’d done readings and workshops with most of the actors, and Virginia Wing had played my grandmother back in 2011 in “disOriented” by Kyoung H. Park, so it really felt like family (…even though I played the one character outside of the family). I’d also been, and still am, a Huge fan of the director Ken Rus Schmoll, and still can’t believe we all got to work with him. He’s a genius genius genius. Working on new plays is one of my biggest passions. MJ Kaufman is such an exciting voice and it was a pleasure every night to get to breathe life into their words.

Chang: How was it received?
Isaac: How was it received. Hmm. Well. To be honest, I think the election really hurt our audience and word of mouth momentum. But after a couple days of shock, we also felt privileged and empowered to be telling an under-represented story with a trans protagonist, and an all Asian American cast, in the face of an orange cheeto who’d won on a platform of hate and bigotry. We knew it would be the beginning of an uphill battle but here was a tiny form of rebellion and a source of hope and light.

I hope we keep creating art like that. We’ll need it now more than ever.

Daniel K. Isaac, Mia Katigbak, Glenn Kubota, Bex Kwan and Virginia Wing Set for NAATCO’s New York Premiere of MJ Kaufman’s SAGITTARIUS PONDEROSA

Dan Soder, Ilfenesh Hadera, Shaunette Renee Wilson, Daniel K. Isaac, Kelly AuCoin, Asia Kate Dillon and Malachi Weir (front) at the Showtime and elit Vodka hosted BILLIONS Season 2 premiere and party, held at Cipriani's in New York City on February 13, 2017. - Photo: Dave Kotinsky/SHOWTIME
Dan Soder, Ilfenesh Hadera, Shaunette Renee Wilson, Daniel K. Isaac, Kelly AuCoin, Asia Kate Dillon and Malachi Weir (front) at the Showtime and elit Vodka hosted BILLIONS Season 2 premiere and party, held at Cipriani’s in New York City on February 13, 2017. – Photo: Dave Kotinsky/SHOWTIME

Chang: What else are you working on this year?
Isaac: Hopefully, fingers crossed knock on wood toi toi merde etc, “Billions” will be renewed for Season Three. All prayers, good luck charms, and positive vibes are welcome. Watch the show!

And I’m acting in some readings and workshops of new plays, which, like I said, is my favorite thing to do.

I’m also writing more and trying to write about something other than my mother…so I’m working on my second full-length play about sex positivity and micro-aggressions. So, you know, a light hearted rom-com.

And we’ll see what else is on the horizon.

Daniel K. Isaac as “Ben Kim” in BILLIONS (SHOWTIME) from Daniel K. Isaac on Vimeo.

Daniel K. Isaac was born and raised in sunny Southern California. When he was in fifth grade, his mother heard a mortifying story about a preacher who went numb with stage fright and had to be escorted off the stage. Isaac was promptly signed up for Grace Korean Church’s theatre troupe and he’s been an actor ever since. After receiving his Bachelor’s in Theatre from the University of California – San Diego (UCSD), Isaac moved to not-always-sunny New York City where he’s been seen on large and small screens and stages. Some Film/TV Credits include: “Foshay” on The Jim Gaffigan Show (TV LAND), MONEY MONSTER (dir. Jodie Foster, with George Clooney and Julia Roberts), “Virgil” on Person of Interest (CBS, recurring), The Following (FOX), Believe (NBC, pilot), TOO BIG TO FAIL (HBO) and  “Ben Kim” on SHOWTIME’s Billions (with Paul Giamatti and Damian Lewis). Some upcoming projects include: Search Party (TBS), Crashing (HBO), Shades of Blue (NBC) and Drew (CBS, pilot). www.danielkisaac.com

Lia Chang_photo by Garth Kravits
Lia Chang_photo by Garth Kravits

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers,  musicians and corporations. Lia is also an internationally published and exhibited photographer, a multi-platform journalist, and a publicist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in Jade Magazine and Playbill.com.