Asia Society Triennial Virtual Performance: A Meditation on Solidarity and Hope by Huang Ruo and Shelley Monroe Huang on July 9

Shelley Monroe Huang and Huang Ruo

On July 9, 1776, the Declaration of Independence was recited publicly to a group of New Yorkers and Continental troops at the gathering place that would later become the New York City Hall. In celebration of America’s independence from England, citizens and soldiers cheered and joined together to bring down a nearby statue of King George III to demonstrate their newfound independence; this historic event was later memorialized by the German-American artist Johannes Adam Simon Oertel in his masterpiece Pulling Down the Statue Of King George III, New York City (1852-1853). In this powerful image about freedom and justice, Oertel depicts a young African American man as a central figure among the patriots, manifesting the abolitionist idea that freedoms guaranteed in the Declaration of Independence apply to all Americans, regardless of color.

This seminal image of American history, and several other masterpieces of traditional American art, will be juxtaposed with more than twenty important works by modern and contemporary American artists of Asian descent in a collateral exhibition to the Asia Society Triennial, aptly entitled “Dreaming Together: New-York Historical Society and Asia Society.” This groundbreaking exhibition will open in the grand Dexter Hall at the 216-year-old New-York Historical Society in late 2020.

As a gesture of solidarity for racial equality and justice to demonstrate that Black Lives Matter and at a time when anti-Asian racism has surged in a divisive post-COVID-19 world, the Asia Society Triennial presents a stirring performance by the Triennial’s composer-in-residence, Huang Ruo, with chamber musician Shelley Monroe Huang on Thursday, July 9, 2020 at 6:30pm. Together, the husband-and-wife duet will perform a joint composition for the piano and bassoon. In their own words, this work is “not only an imaginative landscape, but also a state of mind. A continuous drone, oscillating in the low register on the piano, is played only by the pianist’s left hand. The drone provides a wind-like sonority as the background. In the foreground, a cursive bassoon line moves up and down throughout the entire range of the instrument.”

Together, we dedicate this performance to Martin Luther King, Jr.’s dream that “one day this nation will rise up and live out the true meaning of its creed: ‘We hold these truths to be self-evident, that all men are created equal.’” (“I Have a Dream,” August 28, 1963)

This performance will be hosted by Agnes Hsu-Tang, Ph.D., executive chair of the Asia Society Triennial, and followed by an intimate conversation between Huang Ruo and Ken Tan, executive director of global artistic programs and deputy director of Asia Society Museum.

Click here to register. Watch live on YouTube.
For more information, please visit the Asia Society Triennial website here.

Huang Ruo has been lauded by the New Yorker as “one of the world’s leading young composers” and by the New York Times for having “a distinctive style.” His music has been premiered and performed by orchestras such as the New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony, Seattle Symphony, National Polish Radio Orchestra, Kiel Philharmonic Orchestra, the Hong Kong Philharmonic, and many others. Reflecting his life story, he strives to create a seamless integration between eastern and western elements, integrating influences from Chinese folk, western avant-garde, rock, and jazz to create a seamless, organic whole. His newest album, Into the Vast World, will be released on June 26, 2020, on iTunes and Amazon, and is available for advanced purchase here.

Shelley Monroe Huang
Praised by the New York Times for “playing with superb agility and accuracy and with a full-bodied, chocolatey sound” Shelley Monroe Huang is an avid chamber musician and teaching artist. She is a member of Decoda, Affiliate Ensemble of Carnegie Hall, and has appeared as soloist with the Charlotte Symphony Orchestra, Eastman Philharmonia, and New Music New Haven. As a concert bassoonist and contrabassoonist, Shelley has performed with Orpheus Chamber Orchestra, American Composers Orchestra, and the Albany and New Haven symphony orchestras. Before completing her doctorate at SUNY Stony Brook under the tutelage of Frank Morelli, Shelley earned degrees from the Eastman and Yale schools of music.

Lia Chang is an actor, a multi-media content producer and co-founder of Bev’s Girl Films, making films that foster inclusion and diversity on both sides of the camera. Bev’s Girl Films’ debut short film, Hide and Seek was a top ten film in the Asian American Film Lab’s 2015 72 Hour Shootout Filmmaking Competition, and she received a Best Actress nomination. BGF collaborates with and produces multi-media content for artists, actors, designers, theatrical productions, composers, musicians and corporations. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman. She stars in and served as Executive Producer for the short independent films Hide and Seek, Balancing Act, Rom-Com Gone Wrong, Belongingness and When the World was Young. She is also the Executive Producer for The Cactus, The Language Lesson, The Writer and Cream and 2 Shugahs.

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