The Public Theater presents Soft Power, with play and lyrics by Tony Award winner David Henry Hwang, music and additional lyrics by Tony Award winner Jeanine Tesori, choreography by Tony nominee Sam Pinkleton, and is directed by Tony nominee Leigh Silverman.
Soft Power begins with a Joseph Papp Free Preview performance on Tuesday, September 24 in The Public’s Newman Theater and will run through Sunday, November 10. Opening night is set for October 15.
The complete cast of Soft Power includes Billy Bustamante (Xue Xing Standby), Jon Hoche (Tony Manero/Chief Justice/Ensemble), Kendyl Ito (Jing/Ensemble), Francis Jue (DHH), Austin Ku (Bobby Bob/Ju Ming), Raymond J. Lee (Randy Ray/VEEP/Ensemble), Alyse Alan Louis (Zoe/Hillary), Jaygee Macapugay (Campaign Manager/Ensemble), Daniel May (Ensemble), Paul HeeSang Miller (Ensemble), Kristen Faith Oei (Ensemble), Geena Quintos (Ensemble), Conrad Ricamora (Xue Xing), Trevor Salter (Ensemble), Kyra Smith (Ensemble), Emily Stillings (Swing), Emily Trumble (Zoe/Hillary Standby), and John Yi (Swing).
Soft Power features orchestrations by Danny Troob; music direction and supervision by Chris Fenwick; dance arrangements by John Clancy; scenic design by Clint Ramos; costume design by Anita Yavich; lighting design by Mark Barton; sound design by Kai Harada; sound effects design by Bart Fassbender; video design by Bryce Cutler; hair, wig, and makeup design by Tom Watson; special effects by Lillis Meeh; music contracting by Antoine Silverman; and additional orchestrations by Larry Hochman and John Clancy.
Tony Award winners David Henry Hwang and Jeanine Tesori bring their groundbreaking new musical-within-a-play to The Public for its New York premiere. One of the most exciting theatrical collaborations in recent memory, Soft Power is an exploration of America’s current place in the world, told through an East-West musical from China’s point of view, in which a theater producer from Shanghai forges a powerful bond with Hillary Clinton. Soft Power is a fever dream of modern American politics amidst global conversations, asking us all-why do we love democracy? And should we?