New Dramatists, an artistic home and developmental laboratory for professional playwrights, is proud to announce the addition of seven writers to its illustrious, dynamic resident playwright company: J. Julian Christopher, Sarah Gancher, Mike Lew, Vickie Ramirez, Tammy Ryan, Susan Soon He Stanton, and Lauren Yee. They will be in-residence through the year 2025. These supremely talented theatre artists were selected by a seven-person committee of New Dramatists current residents, alumni, and outside theatre professionals from 478 applicants after undergoing a highly competitive, nine-month review and consensus-based decision-making process. New Dramatists kicks off their seven-year residencies with an evening of readings and celebration at the annual New Playwright Welcome in the fall.
J. Julian Christopher holds an MFA in Acting from The New School for Drama. Acting credits include: TBA (by Carla Ching), Holiday Movies (directed by Liz Swados), and The Karaoke Show (directed by Diane Paulus). Awards include: The 2009 Public Theater Emerging Writers Group, the 2014 Best New Work Motif Award, the 2015 Queens Arts Council Grant, and the 2017 & 2018 Pipeline Theatre Company PlayLab. He has workshopped his plays at LAByrinth Theater, TerraNova Collective, Fuse Theatre, and The Working Theatre. Productions include: Man Boobs (Pride Films & Plays, 2011), Nico was a Fashion Model (Counter-Productions Theatre Company, 2013), Animals Commit Suicide (First Floor Theater, 2015), and Locusts Have No King (INTAR, 2016). Julian has been a finalist for Bay Area Playwrights Festival, Rising Circle, and SPACE at Ryder Farm’s Working Farm Residency. Other plays include, Alligator Mouth, anOTHER, ¡OSO FABULOSO! & The Bear Backs, Bundle of Sticks,and Bruise & Thorn (2018 PlayPenn Conference). He is a co-producer and co-writer of the hit web series, Bulk- The Series, the chair of Region 1’s National Playwriting Program for The Kennedy Center American College Theater Festival, and an Assistant Professor of Theatre at Queensborough Community College.
Sarah Gancher loves big ideas, epic stories, and deep comedy. This season, she premiered I’ll Get You Back Again (Round House, dir. Rachel Chavkin) and Seder (Hartford Stage, dir. Elizabeth Williamson), as well as two musicals written with composers The Bengsons: Hundred Days (Under the Radar Festival at the Public, New York Theatre Workshop, dir. Anne Kauffman) and The Lucky Ones (Ars Nova, dir. Anne Kauffman), which garnered a number of Lortel, Drama League, and Drama Desk nominations. Other plays include The Place We Built (The Flea, dir. Danya Taymor) and Klauzál Square (Quarter6Quarter7 Festival, Budapest, dir. Eszter Kalman.) Co-writer of The TEAM’s Mission Drift, music by Heather Christian, directed by Rachel Chavkin (Edinburgh International Festival Fringe Prize, Scotsman Fringe First, Herald Angel; Drama League Nomination; intl’ tour ending in a sold-out run at London’s National Theatre.) Her work has been developed by Steppenwolf, Seattle Rep, Mosaic DC, and Premiere Stages, among others. Honors include the New York Stage and Film Founders’ Award, The Edgerton Foundation New Play Award, and the AR Gurney Prize. Alumna: Women’s Project Lab, Playwrights’ Realm Writing Fellowship, P73’s writers’ group, and Ars Nova Play Group. She loves working with devisers and musicians. MFA: NYU.
Mike Lew is thrilled to rejoin New Dramatists as a resident playwright, having previously served as their admin associate. Mike is married to fellow playwright Rehana Lew Mirza and together they hold a Mellon National Playwrights Residency at Ma-Yi Theater, a La Jolla Playhouse Artists-in-Residence, and have a kid. Mike’s plays include Teenage Dick (Ma-Yi at the Public, Artists Rep, and Perseverance productions; Public Studio, O’Neill, OSF workshops), Tiger Style!(Olney, Huntington, La Jolla Playhouse, and Alliance productions; O’Neill and CTG workshops), Bike America (Ma-Yi and Alliance productions), microcrisis (Ma-Yi and InterAct productions), Moustache Guys, and the book to the musical Bhangin’ It (Jerome Robbins Project Springboard and Rhinebeck Writers Retreat workshops). Mike is a Tony voter and Dramatists Guild Council member and his honors include Lark Venturous and NYFA fellowships as well as the PEN Emerging Playwright, Lanford Wilson, Helen Merrill, Heideman, and Kendeda awards. He has overdue commissions from La Jolla Playhouse, South Coast Rep, and Audible. Education: Juilliard, Yale. Website: www.mikelew.com.
Vickie Ramirez (Tuscarora) is honored to be a member of New Dramatists class of 2025! Vickie is a founding member of Chukalokoli, Amerinda Theater and a member of the Emerging Writer’s Group (2009). Productions –Glenburn 12 WP for Summer Shorts at 59E59, Smoke for Mixed Phoenix Theatre Group at Pershing Square Signature Center, Liimikin at New Native Theater and Standoff at Hwy#37 for Native Voices at the Autry in Los Angeles and South Dakota. Her work has been published in Monologues for Actors of Color: Women and Monologues for Actors of Color: Men (Routledge). Standoff at Hwy#37 is featured in the all new Contemporary Plays by Women of Color (Routledge). Member: Dramatists Guild.
Tammy Ryan is a playwright and librettist whose work has been performed across the United States and internationally. She was awarded the Francesca Primus Prize by the American Theater Critics Association for her play, Lost Boy Found in Whole Foods (Premiere Stages/Playwrights Theater of New Jersey) in 2012. Other plays include Molly’s Hammer (Repertory Theater of St. Louis), Tar Beach (Luna Stage, Kilroy’s List), Soldier’s Heart, Baby’s Blues, and FBI Girl: How I Learned to Crack My Father’s Code (Pittsburgh Playhouse), Pig (29th Street Rep) S/he: Lindsay’s Oyster (Kitchen Theater, Garag Istanbul) and The Music Lesson (Florida Stage/Carbonell Award/American Alliance of Theater in Education Distinguished New Play Award.) A New Kind of Fallout, written with composer Gilda Lyons, premiered at Opera Theater of Pittsburgh in 2015. Her work has been developed and supported by the Ignite Festival, New Harmony Project, National New Play Network, Virginia Center for the Creative Arts, Sewanee Writers Conference, The Heinz Endowment, The Pittsburgh Foundation and Greater Pittsburgh Arts Council. Tammy is a member of the Dramatists Guild of America and her work is published by Dramatists Play Service, Broadway Play Publishing, Dramatic Publishing Company, and Playscripts. For more information: www.tammyryan.net.
Susan’s plays include we, the invisibles (Actors Theatre of Louisville Humana Festival) Today Is My Birthday (Page 73), Takarazuka!!!(Clubbed Thumb and East West Players), Cygnus (WP Theater Pipeline), Solstice Party! (Live Source), The Things Are Against Us (Washington Ensemble Theatre), and Navigator (Honolulu Theatre for Youth). She is a two-time Sundance Theatre Lab Resident Playwright, and she was awarded the inaugural Venturous Playwright Fellowship and Van Lier Fellowship at The Lark, the Leah Ryan FEWW Prize, a Po’okela Award for best new play. She was a Susan Glaspell Finalist, a runner-up for Southern Rep’s Ruby Prize, and received a Susan Smith Blackburn nomination, and a NET Partnership Grant with Satori Group. Her work has been included on The Kilroys List from 2015-2017, and has received commissions from Yale Repertory Theatre, American Conservatory Theater/Crowded Fire, South Coast Repertory and Ensemble Studio Theatre. Writing groups past and present include Playwrights Center Core Writers’ Residency, Page 73’s Interstate 73, The Public Theater’s Emerging Writers Group, Soho Rep. Writer/Director Lab, and Hedgebrook, among others. She has received a Sloan Foundation Feature Film Development Grant and screenwriting award. She writes for Succession (HBO). M.F.A.: Yale School of Drama. B.F.A. from NYU Tisch.
This season, Lauren Yee premiered Cambodian Rock Band (music by Dengue Fever) at South Coast Rep and The Great Leap at Denver Center, Seattle Rep, and Atlantic Theatre. Upcoming: Cambodian Rock Band at Oregon Shakespeare Festival and Victory Gardens; The Great Leap at the Guthrie, American Conservatory Theatre, Arts Club, InterAct Theatre; King of the Yees at Baltimore Center Stage, SF Playhouse; and The Song of Summer at Trinity Rep. Other plays include Ching Chong Chinaman (Pan Asian, Mu Performing Arts), The Hatmaker’s Wife (Playwrights Realm, Moxie, PlayPenn), Hookman (Encore, Company One), In a Word (SF Playhouse, Cleveland Public, Strawdog), and Samsara (Victory Gardens, Chance). Her work is published by Samuel French. Recent honors: Kesselring Prize, Francesca Primus Prize, an upcoming Hodder Fellowship at Princeton University, and the #1 and #2 plays on the 2017 Kilroys List (Cambodian Rock Band and The Great Leap). Finalist for the ATCA/Steinberg Award and Edward M. Kennedy Prize. Member of the Ma-Yi Writers’ Lab and alumni playwright of Playwrights Realm. Current commissions: Geffen Playhouse, La Jolla Playhouse, Lincoln Center/LCT3, Mixed Blood, Portland Center Stage, and Trinity Rep. BA: Yale. MFA: UCSD. www.laurenyee.com.
New Dramatists is dedicated to the playwright, and pursues a singular mission: To give playwrights time and space in the company of gifted peers to create work, realize their artistic potential, and make lasting contributions to the theatre. Founded in 1949 by Michaela O’Harra in association with Howard Lindsay, Richard Rodgers, Russel Crouse, Oscar Hammerstein II, John Golden, Moss Hart, Maxwell Anderson, John Wharton, Robert E. Sherwood, and Elmer Rice, New Dramatists is one of the country’s leading playwright centers and a nationally recognized new play laboratory, unrivaled in the depth and duration of our commitment to writers. In the 69 years since our founding, 600 new dramatists have passed through our doors, creating work that has laid the foundation for contemporary American dramatic literature. Our alumni include some of the most influential writers of our time: Robert Anderson, Kia Corthron, Nilo Cruz, Horton Foote, Richard Foreman, Maria Irene Fornes, John Guare, Quiara Hudes, David Lindsay-Abaire, Taylor Mac, Eduardo Machado, Donald Margulies, Joe Masteroff, Terrell Alvin McCraney, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, John Patrick Shanley, Paula Vogel, Mac Wellman, August Wilson, Doug Wright, and many more. New Dramatists received a Ross Wetzsteon Award for excellence at the 2005 OBIES and a 2001 Tony Honor for “blessing the theatre with new and exceptional works that have assured both a rich theatrical heritage and future for the American Theatre.”