On Monday, February 12 at 6:00 pm, the League of Professional Theatre Women (LPTW), dedicated to championing women in theatre since its inception and an authority at the forefront of the conversation about gender parity in American theatre for 35 years, is presenting Broadway Performer, Director, and Choreographer, Baayork Lee.
A recipient of the 2017 Isabelle Stevenson TONY Award, Lee was honored for her commitment to future generations of artists through her work with National Asian Artists Project and theatre education programs around the world.
Multimedia: Baayork Lee Accepts The Isabelle Stevenson Tony Award At The 71st Annual Tony Awards
Lee, who originated the role of Connie in A Chorus Line, will be discussing her extensive life and work in the theatre with theatre writer Robert Viagas, her collaborator and biographer on their book, “On the Line: the Creation of A Chorus Line”.The event will take place in the Bruno Walter Auditorium of the New York Public Library for the Performing Arts on 65th Street & Amsterdam Avenue. Admission is free, seats are available on a first-come-first-seated basis. Doors open at 5:30PM, and it is recommended that members of the public arrive at the Bruno Walter Auditorium by 5PM to secure a seat.
“I first met Baayork in 1975 when the Library videotaped Michael Bennett’s original A CHORUS LINE at The Public Theatre,” says producer Betty Corwin. “Baayork had become Michael’s closest collaborator and since he died in 1987 she has directed or choreographed 35 International productions of the musical. In addition, Baayork is acknowledged and appreciated for committing herself to the National Asian Artists Project and theatre eduction programs around the world. I am so proud to know her.”
The League has major support from the Edith Meiser Foundation covering interviews with such notables as Billie Allen, Mercedes Ruehl, Tyne Daly, Patti LuPone, Christine Ebersole, Kia Corthron, Donna Murphy, Frances McDormand, Laura Linney and many others. The ongoing Oral History Project chronicles and documents the contributions of significant theatre women in all fields. The interviews are videotaped and preserved for posterity in the Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts at Lincoln Center.
This program is made possible, in part, with public funds from the NYC Department of Cultural Affairs, in partnership with the City Council, and with funds from the NYS Council on the Arts, a state agency, with the support of Governor Andrew M. Cuomo
Baayork Lee has performed in a dozen Broadway shows and created the role of Connie in A Chorus Line. As Michael Bennett’s assistant choreographer on A Chorus Line, she has directed and choreographed many national and international companies in Klagenfurt, Austria, Santiago, Chile, Hollywood Bowl and Pace University. Her directing and choreography credits also include: The King and I and Bombay Dreams (National tours), R&H’s Cinderella (NYC Opera), Barnum (Australia), Carmen Jones (Kennedy Center), Porgy and Bess and Jesus Christ Superstar (European tours), Gypsy and A New Brain. She has also choreographed shows including; Miss Saigon (KC Starlight), Mack and Mabel (Shaw Festival), Animal Crackers, South Pacific (Helen Hayes nominations,) Coconuts, Camelot, and Damn Yankees all at Arena Stage in Washington, DC.
Through her nonprofit organization, National Asian Artists Project, Baayork’s vision includes educating, cultivating, and stimulating audiences and artists of Asian descent through the many programs the company offers. The organization has produced classical musical theatre shows such as Oklahoma!, Carousel, Hello Dolly!, and OLIVER! with all Asian-American casts. NAAP has made audiences more aware that talent goes beyond ethnicity.
Robert Viagas transformed theatre journalism as the architect and founding editor (1994) of the first and still biggest theatre site on the web, Playbill.com. He enjoyed the rare honor of serving on the nominating committee for the Tonys (2012-2014). He hosted the Tony Awards webcasts from 2002 to 2008, and was editor of the special Tony Awards Playbill from 2002 to 2010. The New York Times’ CyberTimes described him as “encyclopedic” in his knowledge of Broadway.
Among his other books, he was chosen by the creators of the original The Fantasticks to tell their story in The Amazing Story of “The Fantasticks” (Citadel). On the Line was translated into Japanese and published in Japan and his 2012 book Scales to Scalpels (with Lisa Wong) was translated into Chinese and published in China.
When it comes to the challenging but fruitful area of collaboration he literally wrote the book on it-The Alchemy of Theatre (Applause Books), in which he worked with the likes of Edward Albee, Wendy Wasserstein, Hal Prince, Chita Rivera and others to codify how one collaborates in the world of theatre. His 2009 book I’m the Greatest Star!