F. Murray Abraham, Ed Harris, Amy Madigan, Rileigh McDonald, Rosie O’Donnell, Maulik Pancholy, Mark Linn-Baker and More Set for NY Premiere of David Rabe’s Good for Otto

Maulik Pancholy. Photo by Lia Chang
Maulik Pancholy. Photo by Lia Chang

The New Group is presenting the New York Premiere of David Rabe’s Good for Otto, with Kate Buddeke, Laura Esterman, Nancy Giles, Lily Gladstone, Charlotte Hope, Mark Linn-Baker, Kenny Mellman and Maulik Pancholy joining, as previously announced, F. Murray Abraham, Ed Harris, Amy Madigan, Rileigh McDonald, Rosie O’Donnell and Michael Rabe in this New York premiere directed by Scott Elliott.

This production includes Scenic Design by Derek McLane, Costume Design by Jeff Mahshie, Lighting Design by Jeff Croiter and Sound Design by Rob Milburn and Michael Bodeen. Previews begin February 20, 2018 in advance of an Official Opening Night on Thursday, March 8. A limited Off-Broadway engagement is slated through April 1 at The Pershing Square Signature Center (The Alice Griffin Jewel Box Theatre, 480 West 42nd Street).

Through the microcosm of a rural Connecticut mental health center, Tony Award-winning playwright David Rabe conjures a whole American community on the edge. Like their patients and their families, Dr. Michaels (E. Harris), his colleague Evangeline (Amy Madigan) and the clinic itself teeter between breakdown and survival, wielding dedication and humanity against the cunning, inventive adversary of mental illness, to hold onto the need to fight – and to live. Inspired by a real clinic, Rabe finds humor and compassion in a raft of richly drawn characters adrift in a society and a system stretched beyond capacity.

Directed by Scott Elliott, Good for Otto features F. Murray Abraham (Barnard), Kate Buddeke (Jane), Laura Esterman (Mrs. Garland), Nancy Giles (Marci), Lily Gladstone (Denise), E. Harris (Dr. Michaels), Charlotte Hope (Mom), Mark Linn-Baker (Timothy), Amy Madigan (Evangeline), Rileigh McDonald (Frannie), Kenny Mellman (Jerome), Rosie O’Donnell (Nora), Maulik Pancholy (Alex) and Michael Rabe (Jimmy).

This production includes Scenic Design by Derek McLane, Costume Design by Jeff Mahshie, Lighting Design by Jeff Croiter and Sound Design by Rob Milburn and Michael Bodeen. Casting by Judy Henderson, CSA. Production Stage Manager is Valerie A. Peterson.

This marks a return for playwright David Rabe to The New Group. Earlier, The New Group presented widely acclaimed revivals of David Rabe’s Hurlyburly and Sticks and Bones, both directed by Scott Elliott; and the world premiere of An Early History of Fire, directed by Jo Bonney. Additionally, E. Harris and Amy Madigan return to The New Group with this production. Previously, they appeared at The New Group in Beth Henley’s The Jacksonian, directed by Robert Falls, and Sam Shepard’s Buried Child, directed by Scott Elliott. E. Harris and Amy Madigan also appeared on the West End, in the London production of The New Group’s Buried Child.

Good for Otto premiered at the Gift Theatre in Chicago, directed by Michael Patrick Thornton (October 5, 2015 – February 7, 2016).

Productions in The New Group’s 2017-2018 Season take place at The Pershing Square Signature Center, 480 West 42nd Street.

Subscriptions and memberships for The New Group’s 2017-2018 season are available now. For subscription purchases and season info, please visit http://www.thenewgroup.org. Subscriptions can also be purchased by calling Ticket Central at (212) 279-4200, or in person at 416 West 42nd Street (12-8pm daily).

Tickets for Good for Otto go are available for the general playing schedule: Tuesday – Friday at 7:30pm, Saturday at 2:00 & 8:00pm; Sunday at 2:00pm. Regular tickets start at $85. For single ticket purchases, please visit www.thenewgroup.org. Single tickets can also be purchased by calling Ticket Central at (212) 279-4200, or in person at 416 West 42nd Street (12-8pm daily).

The New Group (Scott Elliott, Artistic Director; Adam Bernstein, Executive Director) is an award-winning, artist-driven company with a commitment to developing and producing powerful, contemporary theater. While constantly evolving, the company strives to maintain an ensemble approach to all its work and an articulated style of emotional immediacy in its productions. In this way, The New Group seeks a theater that is adventurous, stimulating and most importantly “now,” a true forum for the present culture.

 

 

SaveSave

SaveSave

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s